A Quote by Billy Bob Thornton

Just the other day, my assistant was on the line with Calvin Klein. Golly, I usually shop at Sears. — © Billy Bob Thornton
Just the other day, my assistant was on the line with Calvin Klein. Golly, I usually shop at Sears.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
Calvin: Dad where do babies come from? Dad: Well Calvin, you simply go to Sears, buy the kit and follow the assembly instructions. Calvin: I came from Sears? Dad: No you were a blue-light special at K-Mart - almost as good and a lot cheaper!
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I don't shop by brand loyalty at all. I'm just drawn to what I like when I shop. I do like this brand called Tiger of Sweden a lot, though. They make great sportswear and tailoring. And Calvin Klein; big supporter of them as well.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
There are many things Calvin Klein would have never done - he would have never put men in leggings in a show; he would have never done a fluorescent suit - but these are things that are right for the moment. For example, a fluorescent suit is graphic, and Calvin Klein is about being graphic. And Calvin Klein is always modern at its core, so I inject my own research and my own innovation, and I make it my own. But I never deny that core, because that would be stupid.
I wanted to design a line based on Hollywood's Golden Era. I talked with Stephen Burrows and with Willi Smith and with one or two other people, but it just seems like such a hard field to break into. I need someone like Calvin Klein's manager to get behind me!
What I disliked most about working as a shop assistant wasn't the occasional snooty customer or the shop or the hours, but the way people reacted when I told them I was a shop assistant - their automatic assumption that I didn't enjoy it.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
The minute I stepped foot on the shop floor and started serving in a retail environment, I knew it was the career for me. I was a shop assistant for just one day, and I thought, 'This is it. This is the rest of my life. This is all I want to do.'
I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
I have a tweet that said, 'I want to be a Calvin Klein model,' and that was in 2011. And then I modeled for Calvin Klein. And then I had a tweet like, 'I wonder what it's like to be in front of thousands of fans,' and I've been in front of thousands of fans.
The bottom line is that red carpet helps us broaden the appeal of the brand. Calvin Klein used to be about a very specific woman, but we've dressed so many different women at awards.
I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.
This site uses cookies to ensure you get the best experience. More info...
Got it!