A Quote by Billy Bob Thornton
My process started when I was born. The process is life experience. I believe that what makes you an artist, or at least an artist who can communicate the ideas that they want to get across, are people that have life experience.
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I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
Culturally, now, we're really tight around death, and as a result I think people miss out on a lot of the beautiful aspects of the end of life process that can be very helpful for the grieving process, that can be a really beautiful part of transition of life that we don't get to experience because it's not in the conversation.
The use of the term art medium is, to say the least, misleading, for it is the artist that creates a work of art not the medium. It is the artist in photography that gives form to content by a distillation of ideas, thought, experience, insight and understanding.
Experience is, for me, the highest authority. The touchstone of validity is my own experience. No other person's ideas, and none of my own ideas, are as authoritative as my experience. It is to experience that I must return again and again, to discover a closer approximation to truth as it is in the process of becoming me.
I think it's what any artist would want: to feel like their work can be taken in on a level of experience beyond the headline or the press release. I don't think any artist wants to be reduced to a press release. We have a whole industry whose function it is to process and present information. There's nothing wrong with it, but it's not the thing.
Traffic' was an album that had a significant amount of songs. It was not complete and I felt didn't fully represent me as a person or as the artist I want to be and so when I started the writing process for 'The Autobiography' I was really turning a corner in my life.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
A lot of subjects blend into the same thing: intolerance. When you're a little kid, you don't know that it's going to get better. Your life experience hasn't told you that. I want to protect those people. I want to send out a message and at least try to get that across.
The importance of art is in the process of doing it, in the learning experience where the artist interacts with whatever is being made.
Out of the cacophony of random suffering and chaos that can mark human life, the life artist sees or creates a symphony of meaning and order. A life of wholeness does not depend on what we experience. Wholeness depends on how we experience our lives.
As an artist, you want to have an experience. What you need to experience changes over the course of your life because your life changes.
If an artist has no experience before he makes a painting or a sculpture, he is not an artist.
As a street artist, I'm used to sharing my stuff with the public. It's a communal experience. I've learned not to be so precious, but rather to enjoy the process.
Artists don't really want to be marginalized. They believe that everybody should be able to appreciate the experience that an artist gives them, an experience that connects us to each other in a deep way.
I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
As the artist, you have to live in order to experience life to put that out there, and when you are successful in America and in the world, your point of view is the 5% and not the 95%, but you have to represent the 95% so you have to find a way to experience life the way they do.
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