A Quote by Billy Bob Thornton

I'm not really a guy who wants to be a director, anyway. — © Billy Bob Thornton
I'm not really a guy who wants to be a director, anyway.
I don't follow anything that's said about him much, but the Uwe Boll that I know is just a really cool guy. He's just a really quiet, kind and passionate filmmaker who really believes in what he's doing. Like any director that an actor wants to work with, you want a director who's passionate and believes in the work that he's doing.
I think one third of my work is with first-time directors because I think I should, you know? Really, the difference between a first-time director and a second- or third-time director - I mean there's no director who makes enough movies anyway - but if they're talented, they have it. And there is no movie that is perfect.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
Let the other guy have whatever he wants before the fight. Once the bell rings he's gonna be disappointed anyway.
I'm sure all actors have trouble. The guy who always plays the funny guy, he wants to be taken seriously. And there's the action guy who wants to do serious stuff. Everyone's grass is greener.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
I figure, I want to get a role on my ability, not my size. And anyway, after the director or producer sees me, he remembers what I look like, anyway.
Rahman is very very director friendly. He is ever ready to go whichever the director wants, the story wants, depending on the kind of movie or the music you want, and within that he finds his niche. It is a constantly complementary process. At the end of the day he is not pleasing you, he has to please himself.
It's two o'clock in the morning, they're not going to get any nooky anyway, so this one guy and the guy with the t-shirt guy started sniffing the girls panties.
You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.
I was never a guy that was really good with a gang of guys anyway.
I learned this lesson very quickly when I came into the NBA: Almost all the media and accolades go to the No. 1 guy. But if you're building a team, the most important player is the No. 2 guy. Because if the No. 2 guy wants to be the No. 1 guy, you have a major problem.
Everybody wants me to be the (guy) who's (sleeping with) every celebrity woman in the industry. Everybody wants me to be this (guy) in the club, popping 17 bottles just because. Everybody wants me to be Diddy, and that's not me.
I really believe in trying to fulfil what my director wants, what I can do to make that scene better.
One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
I've never been the sort of guy who wants to emulate this guy or that guy. I just try to forge my own path.
This site uses cookies to ensure you get the best experience. More info...
Got it!