A Quote by Billy Bob Thornton

I used to put that I studied with Stella Adler on my resume. I never met Stella Adler. But if you told a casting director you studied with Stella Adler all the sudden they'd let you in the door.
I went to acting school in New York City for two years. I studied with Stella Adler.
I went to acting school in New York City for two years. I studied with Stella Adler
When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.
Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.
I was trained by Stella Adler for theater so you kind of give it all on every take.
I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.
I'm an actor. I was trained by Stella Adler, one of the greatest teachers of the world. I was 19 years old, and she frightened me to death. I was her houseboy for a while.
I was a student of Stella Adler and then later Lee Strasberg, and they were into sensory work. At its best, acting is not about words - even when the words are important.
My favorite acting books are Stella Adler's 'The Art of Acting' and 'Sanford Meisner on Acting.'
I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.
Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.
I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.
I was studying with Stella Adler, who was a great, great teacher who encouraged me to be an actor. I had thought I would just write or direct or whatever. I wasn't thinking very much of Hollywood. I was thinking only of the legitimate theatre. But then I changed.
I'm trained as an actor for the stage - classically trained, believe it or not - and I worked closely with Stella Adler for years. People don't know that much about it. They just think I am these people. But I've been in this comedy racket, because it's just how everybody wants to see me.
Kate(Henshaw-Nuttal) was superb. The same for Stella(Damasus-Aboderin) and, of course, Jeta and Jumai(Joseph). They can work anywhere in the world. I think you can put Jeta and Stella on a plane and fly them to London or to Los Angeles to go and work.
All of modern acting comes from Stanislavski, who was the Russian partner to Chekhov. When Chekhov was writing his plays, Stanislavski was running his theater. And Stanislavski really was the first inventor of modern acting and then everything that came out of the method and Stella Adler and the great teachers really came out of him.
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