A Quote by Billy Bragg
In that sense, I became politicized because the people in the coal mining villages who were involved in the struggle knew why they were there. But they couldn't understand why some pop star from London would want to be there.
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I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
The reason why Roc-A-Fella crossed and became so essential to pop culture is that we were probably the most authentic people that were also so sophisticated.
Why were my visitors so secretive, hiding themselves behind my consciousness. I could only conclude that they were using me and did not want me to know why...What if they were dangerous? Then I was terribly dangerous because I was playing a role in acclimatizing people to them.
There was just this stage where I realised that people were listening to what I was saying and I could actually say something I believe in and, like... why wasn't I doing that? It's not because I think I have a responsibility as a pop star or whatever; it's because I think I have a responsibility as a human being.
Once upon a time you were a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. Anyway, being a fish, you knew how to swim. You were a great swimmer. A champion swimmer, you were. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. Perhaps that is what it means to be a father-to teach your child to live without you.
Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember...I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to.
It's easier to keep your stuff then it is to expose it, because some people don't get it. At the cross, at the feet of Jesus, there were some people who said, "Good! I'm glad that you're dead." Then there were some that were crying and saying, "Why are you doing this to this innocent man?" It is not easy to do.
There are people who are known for some contribution to pop culture, but that doesn't mean that you've survived solely on your relevance to whatever is currently popular. That's what a pop star is, in that sense. You might start out as a pop star, but that's just an opportunity to become more relevant, if you possibly can.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
Kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.
There it was, Eve supposed. There was the answer to why people got tangled up with people. Because when you were down, when you were wallowing, someone you mattered to would ask if you were okay.
When I think of [my relationship with Gable], considering the way it started, it was curious. We became devoted to each other. We weren't lovers-he was in love with Carole Lombard...we eventually became more like siblings. Nobody believes that and you can understand why...but our relationship was unique. Oh he sometimes gave me the macho routine when people were watching but he changed when we were alone.
Why do we have to spend our lives striving to be something that we would never want to be, if we only knew what we wanted? Why do we waste our time doing things which... are just the opposite of what we were made for?
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
Our people were not happy. I knew at some point we were going to win. It's a little unfair, but that's the reality. To some degree, it became a one-game season for some folks.
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