A Quote by Billy Bragg
I've had songs written during the Falklands war, and during the first Gulf war I got letters from soldiers saying they were listening to these songs, like Island of no return.
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We managed to put together a compilation that had some creativity to it. In the meantime I was listening to the free radio stations and I noticed that during their war coverage they were playing these songs born out of the Vietnam War that were all critical of the soldiers.
I kept saying I got sick of listening to people's productions, like people who had no ideas, no songs, nothing to say but could still con people's ears into thinking those songs were there by the application of production. I kind of wanted my record a little more honest than that: "Well, this is us. We put a microphone on it. Here it is."
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
Lolita' was written at a time when we were heavily listening to more dance, electronic, and trance, and then on the flip side we were writing country-pop songs like 'Born Bob Dylan' or our acoustic songs, or trip-hop.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I opposed the Suez war, I opposed the Falklands war. I opposed the Libyan bombing and I opposed the Gulf war and I never believed that any of those principled arguments lost a single vote - indeed, I think they gained support though that was not why you did it. What has been lacking in Labour politics over a long period is a principled stand
I remember during the Gulf War, my father's ship had just finished a deployment in in the Gulf and was on its way back when the war started in Kuwait. They turned around and went back to the Gulf.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
When we went to war at the Falklands, Buck Kernan had to shake each man's hand as we boarded a boat for war.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I like 'Bewitched' off the first album because it's one of the happiest songs I've ever written and, as any writer will tell you, happy songs are a million times more difficult to write than sad songs.
The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
For a generation, terrorists learned they could make war on free nations without fear of war in return. On September 12, the terrorists got war in return.
I still have my first paycheck. It was just, I think, a dollar or two that I got when I started as a songwriter with BMI, and I had some songs there that I had through the company, and in the mail I got this big old check for, like, a dollar and a half or something. Somebody had recorded one of my songs.
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