A Quote by Billy Casper
I played golf for 25 years before I made a hole-in-one of any kind. I was on the tour for years before it finally happened. Eventually I made 23, but boy, that first one was a long time coming. It was the price I paid for not shooting at every flag.
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What did it mean, the first time, a thinking creature looked deeply into another's eyes? Did it take a hundred thousand years before this happened or it was the first thing they did, transcendingly, the thing that made them higher, made them modern, the gaze that demonstrates we are lonely in our souls?
Before I made my Test debut, I had played nearly nine years of first-class cricket.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
When I made my first film I was 25 years old, and that's pretty rare. Being so young my experience and the thing that I wanted to talk about was teenagehood, plus in France we have that strong tradition of the coming-of-age story being made as your first film.
For twelve years I studied and worked at them every day, and I was nearly 25 before I had the courage to play one of them in public. Before I did, no violinist or cellist had ever played a Suite in its entirety.
I spent almost 25 years at Qualcomm before joining Microsoft, so in a sense, I grew up at one company. During that time, I made a very big shift from the engineering side to the business side.
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
A boy is a long time before he knows his alphabet, longer before he has learned to spell, and perhaps several years before he can read distinctly; and yet there are some people who, as soon as they get on a horse, entirely undressed and untaught, fancy that by beating and spurring they will make him a dressed horse in one morning only. I would fain ask such stupid people whether by beating a boy they would teach him to read without first showing him the alphabet? Sure, they would beat him to death, before they would make him read.
Richard [Griffiths] was by my side during two of the most important moments of my career. In August 2000, before official production had even begun on Potter, we filmed a shot outside the Dursleys', which was my first ever shot as Harry. I was nervous and he made me feel at ease. Seven years later, we embarked on 'Equus' together. It was my first time doing a play but, terrified as I was, his encouragement, tutelage and humor made it a joy. In fact, any room he walked into was made twice as funny and twice as clever just by his presence.
I've always played Vash [in the Sausage Party]. I played him at the table read. We probably did five or six table reads over the course of the first five years of trying to get it made and finally getting it made. I saw a lot of actors come and go, but I stuck around, so I guess they were happy with what I was doing. No one could play a lavash wrap like I could.
That's kind of the nature of the profession I'm in. It's frustrating. Things don't go your way, and I was no exception, in that I spent many years struggling to get work, and there are a lot of people more talented than myself who got jobs before me. And I finally, after years and years and years, got lucky.
When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
No! Not for a second! I immediately began to think how this could have happened. And I realized that the clock was old and was always breaking. That the clock probably stopped some time before and the nurse coming in to the room to record the time of death would have looked at the clock and jotted down the time from that. I never made any supernatural connection, not even for a second. I just wanted to figure out how it happened.
Whenever we do stuff with Die Antwoord, it's kind of like... I made a lot of music before this group that I'm kind of bored of and forgot about, and everything with Die Antwoord I really love. It's the first time I've made music where, even the first songs we made, I really adore all those songs, and I'm proud of them.
I struggled for 10 years before I made my first film.
Before all this happened, I always used to see my stammer as being a negative, all my life, but then when I went on 'Pop Idol,' and the first time I saw it on television, it was really, really bad, but also it made me stand out; it made people remember me. So for the first time in my life, it worked to my advantage.
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