A Quote by Billy Collins

While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane. — © Billy Collins
While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
So I sit there kicked my heels, thinking about New Orleans, and watching a morbid blue-bottle fly attempt to commit suicide by butting his head against the windowpane.
When it comes to taxation, Americans are still banging out letters on a typewriter and dropping them in the mail box while everybody else has moved on to texting and Instagram.
It's very simple... this banging around with a camera and typewriter as a business is just one helluva lot of fun.
The poet is a man who lives at last by watching his moods. An old poet comes at last to watch his moods as narrowly as a cat does a mouse.
I got out of Iowa all set to be a poet and a novelist, but you know what? It's really tough to make a living as a poet.
I grew up writing. It was very natural in my household. My father was a poet, and his mother had been a novelist back in Hungary. I don't think I really thought about it being my career until high school, which is still pretty early, but it was a while there of just assuming this was something everyone did all day long.
The poet is a bird of strange moods. He descends from his lofty domain to tarry among us, singing; if we do not honor him he will unfold his wings and fly back to his dwelling place.
Unlike the time sink of binge-watching a TV series, podcasts actually made me more efficient. Practically every dull activity - folding laundry, applying makeup - became tolerable when I did it while listening to a country singer describing his hardscrabble childhood, or a novelist defending her open marriage.
Paul Lisicky, in his new memoir, 'The Narrow Door,' describes losing his old friend, the novelist Denise Gess, and his husband, the acclaimed poet and memoirist Mark Doty, within a year of each other: Gess to cancer, at the age of 57, and Doty to another man.
Nowadays when a poet with one privately printed book can have his next three years taken care of by a Guggenheim fellowship, a Kenyon Review fellowship, and the Prix de Rome, it is hard to remember what chances the poet took in that small-town world, how precariously hand-to-mouth his existence was. And yet in one way the old days were better; [Vachel] Lindsay after a while, by luck and skill, got far more readers than any poet could get today.
You could walk around behind the typist and read the text, which was about hearing, and what you heard was the sound of the typewriter. Of course, this was a pre-electric typewriter, a typewriter that made noise.
A novelist, poet and playwright who writes equally well in Shona and English, Charles Mungoshi is Zimbabwe's finest and most versatile writer. His life project has been to interrogate the notion of family.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
I like the idea of being a novelist. I picture myself on the coast, the wind in my hair, horses galloping around me as I sit at my typewriter in the middle of a field.
That's what a good crime novelist - any good novelist - should do with you: play with your perceptions while showing you everything in plain sight.
When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I’m instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter’s declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon. It’s a typewriter,’ I say. ‘You use it to write angry letters to airport security.
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