A Quote by Billy Collins
I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
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I'd rather call prose poems something else, for clarity - something like "poetic prose," prose that contains a quality of poetry, but not poems.
The shape that poems make in the mind is an echo of something powerful in the cosmos. I do believe that, and that is certainly irrational, so perhaps I am no wiser than Elizabeth Perkins as to the nature of poetry.
I think New York is working its way into my poems. It takes a while for a place to filter its way onto the page, but I've been reading more and more American poetry and I certainly feel it as quite a freeing force. Coming from the formally ordered tradition of poetry in Ireland, I find the expansiveness of American literature freeing in some sense.
Something good happened to my writing when I stopped being afraid to do something simple, for the fear that people might think I couldn't do something more complex. Don't be confused by the word simple. Simple is not easy, it is clear voiced, and fearlessly elegant.
I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.
We need to make sure that the laws we're passing are protecting people. And we should not be voting against something that makes progress just because it doesn't make as much progress as we'd like to see made. As much as I might like to see any number of issues progress in larger steps, I understand that some of these things happen in smaller steps. And so for that reason, progress is progress. And success is success.
When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
There were definitely auditions and even bookings and jobs where I played your typical Asian model minority: an IT tech guy or something of that nature. It's tough sometimes, especially when you're starting out, because they make these roles sound as if they won't be a typical nerd.
I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
Amid all change, we desire something permanent; amid all variety, something stable; amid all progress, some central unity of life; something which deepens as we ascend; which roots itself as we advance; which grows more and more tenacious of the old, while becoming more and more open to the new.
I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
Well it is certainly the case that the poems - which were in fact published during Shakespeare's lifetime - are weird if they began or originated in this form, as I think they did, because the poems get out of control.
Some of the greatest poetry is revealing to the reader the beauty in something that was so simple you had taken it for granted.
All artists are anarchists in some way - some more extreme than others, but it's something that I think artists are supposed to do. We're supposed to present a different angle on everything, and I certainly think it is [art] as much as poetry, in my opinion.
I believe it's impossible to write good poetry without reading. Reading poetry goes straight to my psyche and makes me want to write. I meet the muse in the poems of others and invite her to my poems. I see over and over again, in different ways, what is possible, how the perimeters of poetry are expanding and making way for new forms.
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