A Quote by Billy Connolly
I don't have wild dogs chasing people with scripts away from my door. I get my share. I've done okay. But I usually do independent stuff because that's mostly what I'm offered.
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A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
I think that at a certain stage those early ambitions burn away, partly because you achieve something, you get something done, you get some notoriety. And then the particularities of who you are and what your deepest commitments are begin expressing themselves. You're not just chasing the idea of "me" being important, but you, rather, are chasing a particular passion.
I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.
I purposely don't put my family on there, I don't put my kids on there. Because I think these days everybody wants to share everything - and then they get upset when people judge all their stuff. So, I figure let them judge things that you're okay with them judging.
Atheists are like wild feral dogs wih no master. But Christians are like loving dogs with a giving and loving master. Domesticated dogs will love you always, but Feral wild dogs HAVE to be put down. they are a danger to us all.
I've got a big closet of scripts, and a big stack of scripts on the side of my desk, because you get a whole bunch. Nothing's going to be perfect, and I realize that; but I am a perfectionist, so you go through a lot of stuff.
I am fortunate that I get sent scripts and get to meet people I would never have met had I not done 'Harry Potter.' But I feel I had to come out of that show and prove that I am not a one trick pony and can do other stuff.
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
If you're cooking and not making mistakes, you're not playing outside your safety zone. I don't expect it all to be good. I have fat dogs because I scrap that stuff out the back door.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.
I get offered to do stuff where the money's nice but it's not something I want to do - I get offered a lot of commercials too.
I hope a kid listens to my stuff, I hope there's a change made and at least somebody walks away with: "I'm doing this because I like it." People are going to hate it and that's okay, but I have to do it because my happiness is important too, it's worth it.
That's the kind of stuff you are offered today. Scripts that have you mixed up with young men. I find them utterly revolting.
Why did dogs make one want to cry? There was something so quiet and hopeless about their sympathy. Jasper, knowing something was wrong, as dogs always do. Trunks being packed. Cars being brought to the door. Dogs standing with drooping tails, dejected eyes. Wandering back to their baskets in the hall when the sound of the car dies away.
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