A Quote by Billy Corgan

The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on. — © Billy Corgan
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
Nirvana, Weezer and Smashing Pumpkins, all those bands, at their core, are just really incredible pop music and I think a lot of that stuff has deeply affected the way I approach music.
Smashing Pumpkins has never been a band about hit songs.
I want to be 'Jimmy Chamberlin, the drummer, the musician who's done many things,' not just 'that guy from the Smashing Pumpkins.'
I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
I got a guitar when I was 14. I made really, really, really bad music as a teen. I learned to play Smashing Pumpkins and Hole songs.
When I had a job catering, I catered a wedding for the Smashing Pumpkins bassist in Indiana. And I served Billy Corgan shrimp off a tray.
I never wanted to leave the Smashing Pumpkins. That was never the plan.
The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band.
The first real concert, other than going with my dad to see Three Dog Night, was Smashing Pumpkins and Garbage. I was fourteen or fifteen. I liked Shirley Manson because she reminded me of Annie Lennox. They both have these deep, sexy, powerful alto voices.
I learned how to play guitar by playing along to Jane's Addiction records and Smashing Pumpkins records, things you can totally hear if you listen to my guitar.
I learned to glitter the pumpkins for Halloween not because I went into it thinking, 'I'm going to glitter some pumpkins!' No. I bought all of these big, cold, slimy, disgusting pumpkins and tried to carve them, and it was gross, so I had to find something else to do with them. Glitter was life-changing.
When your head is smashing into the concrete you don't have question about whether it's a real sensation. And ultimately, that's what's going to unmake us all - smashing up against the physical reality of death and decay, and being unmade.
My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
I grew up in the '80s and '90s listening to Public Enemy and Mobb Deep and the Smashing Pumpkins. I don't even know what it was like in the '60s - I wasn't alive then - so the Mayer Hawthorne sound is taking what I can learn from the classics, and blending it with my hip-hop DJ and producer background and punk-rock bands that I played in as a kid.
I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.
This site uses cookies to ensure you get the best experience. More info...
Got it!