A Quote by Billy Corgan
I mean there's certainly a lot of progressive rock and metal that exists at the underground level, which has its own vitality, as it should. But it seems to have lost its ability to really charge up the hill.
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I have a feeling that the kids are slowly returning to the roots, with this new Metal trend. I can really feel there are a lot of exciting young bands doing kinds of underground Metal, which of course is a lot more dirty than the stuff that we do, but I like it all the same.
I've always said that there's a huge progressive rock, progressive metal audience out there, in the world.
I've always said that there's a huge progressive rock, progressive metal audience out there, in the world. We see it when we're on tour.
You can't really yell, 'Charge!' and hope to have your team behind you unless they agree that the hill you are trying to take is a hill you should take.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.
I have always maintained that paradigm shift away from signing Rock and Metal acts is part of the decline in sales the major labels have talked about for years. I mean, to me, that should be so obvious. For decades, literally, as long as Rock N' Roll has existed, a large swath of major label income came from Rock, and later, Metal bands. So if you essentially stop signing the thing that brought in a significant portion of your income, how are you confused when you don't sell as much? It's like cutting off your nose to spite your face. I still don't get it.
The level on which Japan seems to have picked up on my music seems to be on a more abstract level.
There's a difference between 'glamour' and 'glam rock'. Glam rock, to me, is a bunch of straight, hairy, football-liking lager lads dressed up in mother's castoffs and glamour is a certain sophistication, a certain other-worldliness, a certain unattainableness, which I think we certainly calculate. We believe that a band should be slightly larger than life - you should be transported to an alternate reality. I'm giving you some really good answers here, I'm very proud of myself.
There are a good number of people creating black metal and black metal inspired music in the northwest. Much of this music is radically noncommercial and exists only on a very local, private level.
One of the unfortunate consequences of the intellectualization of man's spiritual life was that the word "spirit" was lost and replaced by mind or intellect, and that the element of vitality which is present in "spirit" was separated and interpreted as an independent biological force. Man was divided into a bloodless intellect and a meaningless vitality. The middle ground between them, the spiritual soul, in which vitality and intentionality are united, was dropped.
My high school was the closest thing to hell on earth that exists. I was around a lot of ultra-preppy, very mean-spirited girls, and they were very cruel to me. I ended up switching schools and going to this performing arts school near Boston called Walnut Hill.
It is, we wanted to make a record that reflected our love of Hard-Rock music and it is sort of Metal though we don't really describe ourselves as Metal.
Metal has its own code of cool, but it's not really trying to be cool. And that was very refreshing to me, that metal is very much about expressing something that seems awesome to you even if, at the time, much of the world was going to mock and reject it.
Growing up, I listened to a lot of everything - I fell in love with music, when I discovered people like Lauryn Hill and Tracy Chapman, people whose voices I could really feel, people with a lot of soul. That's what I'm drawn to as a musician: Anybody that has their own voice and their own point of view.
The numbers in women in rock 'n' roll and metal are pretty much growing a lot, which is a great thing.
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