A Quote by Billy Corgan
I don't think '90s music was as significant as '60s music in terms of changing the world, but it was significant, and I think it was similarly disillusioning when you realize the mainstream just views it as like a curiosity.
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I think you'll find a significant number of people who decide not to enter competitions because their music just won't fit in that world.
You know, my era of DJing was the 90s. I think that was one of the best eras of music, period. From dancehall to hip hop to rock to pop to R&B to everything. I just like that era of music, so I just listen to a lot of 90s overall but definitely 90s hip hop.
You know, I don't think my music is important, I don't think it's changing the world, I don't think it's art. I just think it's music. It is what it is.
I do think that it is impossible for us to think only in terms of the Palestinian-Israeli conflict and not think in terms of what's happening with Syria or Iran or Lebanon or Afghanistan and Pakistan. These things are interrelated. And if we are looking at the region as a whole and communicating a message to the Arab world and the Muslim world, that we are ready to initiate a new partnership based on mutual respect and mutual interest, then I think that we can make significant progress.
I collaborated with so many people from Chicago - so many Black people, young Black women organizations like BYP100 and Assata's Daughters. Just being out there, I saw what a community mobilizing can accomplish in terms of freedom and how music and my words in my music can play a significant part in that.
Meditation is the most significant because it opens the door for all other significant things: love, prayer, God, light, music, poetry.
Poetry is not mainstream, but then neither is serious fiction, really. But I don't think there's a lot to worry about in this particular 'problem'. Why does art have to be mainstream to be significant?
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
I think it is fair to say that it is under a great deal of stress, and if I am asking for significant changes, it is because the world is going through significant changes.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
I think that the world has largely ignored Belize and the political situation and the plight of its people because it's one of the smallest countries and, in terms of the world economy, one of the least significant.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
I think there is a big difference between the music business and music. And my relationship is to music, not music business. I think the business will keep changing, but music won't. Music will be there.
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