A Quote by Billy Corgan
Smashing Pumpkins has never been a band about hit songs.
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The Smashing Pumpkins was never meant to be a small band. It was going to either be a big band, or a no band.
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.
I never wanted to leave the Smashing Pumpkins. That was never the plan.
I got a guitar when I was 14. I made really, really, really bad music as a teen. I learned to play Smashing Pumpkins and Hole songs.
I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
I want to be 'Jimmy Chamberlin, the drummer, the musician who's done many things,' not just 'that guy from the Smashing Pumpkins.'
The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.
I love the U.S. We came the first time in 2003, and it seems like we haven't left since. James Iha from The Smashing Pumpkins came to Stockholm to see one of our shows, and he really fell in love with the band. He said, "I'm going to take you to America, I'm going to release you on my label." When you're in your early twenties and you get that kind of opportunity, you just gotta roll with it.
When I had a job catering, I catered a wedding for the Smashing Pumpkins bassist in Indiana. And I served Billy Corgan shrimp off a tray.
After I left the Pumpkins, I went home and just sat around. I have a studio in my basement, and I found myself writing all these songs, just taking advantage of the relaxed situation. I wrote about 30 songs in about 30 days.
Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape
I've never been burdened with a hit record, so I don't have to play the same songs. I play songs people think they like.
The idea of a Chicago band that wanted to sing songs about California is really funny. Having never been to California.
Everyone wants the same thing in this band, so we definitely respect each other. I mean, all of us have had hit songs, so it's a band full of people who really know what they're talking about, so you have to respect that even when you think something you have might be great, and they go, 'Man, it's not as great as you think it is.'
Nirvana, Weezer and Smashing Pumpkins, all those bands, at their core, are just really incredible pop music and I think a lot of that stuff has deeply affected the way I approach music.
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