A Quote by Billy Corgan

As far as a theoretical point of view for my generation, I'm probably the most successful theoretician. I mean, double albums and concepts and dresses and major disasters and wonderful successes and yet you don't see the critical review of my work. Why? Because it's all focused on the persona. Billy Corgan. But I get to sort of jump in and be Billy Corgan. But then I get to sort of jump back out and be like, sensitive man in the corner.
You know, Billy Corgan has a big vision. He has a great idea for what he wants to do and how he wants to distribute it and I have always liked Billy and Dave Lagana's platform as far as being more character-driven and just kind of let us do our own thing and let the talent be talented.
AEW, there was interest there. We kind of had a deal worked out, but that ended up falling through. And then, I talked to Ring Of Honor. I talked to NWA. The most appealing offer I had was from NWA with Billy Corgan and Dave Lagana.
Billy [Corgan] and I used to spend quite a lot of time together in Los Angeles, when I first moved there.
When I had a job catering, I catered a wedding for the Smashing Pumpkins bassist in Indiana. And I served Billy Corgan shrimp off a tray.
I'm impressed with what the NWA has done, what Billy Corgan and Dave Lagana and those guys have done, establishing the NWA title to mean more and have more interest again.
Because the players knew that if Billy asked them to jump off a roof, he'd jump off with them.
I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.
And it's always possible that you will not get a nice review. So - and that's enraging of course, to get a bad review, you can't talk back, and it's sort of shaming in a way.
That's happened a couple times: Billy Joel. It was just, "You sound like Billy Joel." And I get really upset about that. No offense to that guy, but it's not for me.
You only get one life so you might as well make it a happy one, and that's why I tend to just jump into things. I'm sort of a fearless idiot that way.
When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
For so long I focused on all that I had lost - my legs, my anonymity, even my freedom in a way. I couldn't jump in the car, blast some music and just get away for a bit. I couldn't play basketball with my brothers. I couldn't even get up in the middle of the night to go to the bathroom without making it some sort of production.
When I was a kid, we played a jump rope game called double Dutch - where you had to jump over two ropes swinging in opposite directions. Picking just the right moment to jump in was a practiced art form.
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
The city was blacked out because bombers might come, so Billy didn't get to see Dresden do one of the most cheerful things a city can do when the sun goes down, which is to wink its lights on one by one.
I've wanted to be a professional actor for years and if you get any sort of success in that field then fame sort of comes along with it. But I don't know if I'm sort of media fodder like other people are. I'm essentially a family man.
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