A Quote by Billy Corgan
Everybody I'm working with now is a friend. And I would be very, very remiss to work with anybody in the future who has not shown me who they really are.
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Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
New York was very frightening and very overwhelming, and I didn't really know anybody. My sister had some friends there, and I stayed with them, then I moved in with a friend of a friend. I was very outside my comfort zone. Then again, I was pretty uncomfortable in general - but I knew it was where I was supposed to be.
They were totally uplifting my work and gave me a platform, and now I have an ongoing relationship with the White House. We're working on some very, very, very big things for the trans community.
The more new thinking I did, the more successful it seemed to me that I could become. When magazines are really working, and when websites are really working, they're doing new things all the time, and discovering new writers to do stories, different ways to package stories. I was always very aware that I was very lucky to be doing what I was doing, because I would get up in the morning, and go to work, and the days would fly by.
I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.
You can't be everybody's friend, you can't save the world, I learned this word: self-preservation. Once you do that, you can be friends with people, but how would you be a friend to anybody if you're not a friend to yourself.
When I was very young, Denmark was a very small country, and we still are, but it was then very provincial and everybody knew everybody. Now, we are very much like the rest of the world, especially with the arrival of the internet.
I really enjoy working with Daniel Espinosa. He's very clear on what he wants, but never stops anybody to come up with ideas to bring to the table. It's a really nice and rewarding way to work. So when Life came up, it was more a question of continuing an already good working relationship.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
It was a very big principle in my upbringing that you should respect everybody's work. The street sweeper. Everybody. You should never look down on anybody for their work.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
I have a lot of hobbies and I can be very remiss in reminding myself to go down to the basement to work.
I like what I do, and I'm very fortunate now to be in a very nice place. Which is that I don't have to work anymore. So the work that I do now is purely because I really want to.
I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else.
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