A Quote by Billy Crudup

The characters that I'm typically drawn to are sensitive men who are experiencing some sense of identity crisis or growth in their life that they don't know how to overcome. — © Billy Crudup
The characters that I'm typically drawn to are sensitive men who are experiencing some sense of identity crisis or growth in their life that they don't know how to overcome.
This is the best message that I have been responsibly for it. This will help you, A, find your identity. Because you can never overcome life issues. You'll never overcome your condition without knowing your position. So identity. Significance comes out of identity, meaning life's purpose, your why in life. But the great thing is this book ['You are all that'] is so practical.
Like all men who are Napoleonic in their ambitionshe has instincts about the nature of growth, a lover's sense of the momentof crisis, and he knewhow costly is defeat when it is not soothed by greater consciousness, and how wasteful is the profit of victory when there is not the courage to employ it.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
Error ... is less an intellectual problem than an existential one - a crisis not in what we know, but in who we are. We hear something of that identity crisis in the questions we ask ourselves in the aftemath of error: What was I thinking? How could I have done that?
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd.
I've come to realize that people connect more when they know you're telling them the truth or some aspect of your story, some mutated version of how you are experiencing this life.
Wrestling doesn't know what it is. I feel that wrestling has an identity crisis and what I mean by that is, we're almost meant to portray these characters 24 hours a day, but that's kind of a ridiculous, stupid thing.
Initially, less appealing to me than the idea of a vampire that is drawn by some misgiving or drawn by some sense of longing that he can't quite satiate.
It's bad timing, but a lot of kids become teenagers just as their parents are hitting their mid-life crisis. So everybody's miserable and confused and seeking that new sense of identity.
I had an approach where everything that's happening it should be as though it's an experience for somebody. So if you're experiencing a hurricane, if you're experiencing a car crash or whatever it is, you're only experiencing as yourself, you're not experiencing it from some objective point of view.
Men are just as sensitive, and in some ways more sensitive, than women are.
The word crisis- is from the Greek, meaning a moment to decide.- The recurrent moments of crisis and decision when understood, are growth junctures, points of initiation which mark a release from one state of being and a growth into the next.
I take great pride in having been able to overcome the Asian financial crisis and seeking the opportunities available to bring about an unprecedented growth in the economy.
I take great pride in having been able to overcome the Asian financial crisis and seeking the opportunities available to bring about an unprecedented growth in the economy
I think the beauty of the writing of 'Game of Thrones' is not that the characters are fearless; it's how they overcome their fear, you know?
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