A Quote by Billy Crystal

I think when I feel I'm at my best is when I'm on stage, and it's my version of jazz because it's just riffing or something. — © Billy Crystal
I think when I feel I'm at my best is when I'm on stage, and it's my version of jazz because it's just riffing or something.
Believe me, there is a ton of stuff we shot on Superbad that was unusable, because people were just riffing and riffing. It's just part of the Judd Apatow method, and part of the technique is to also be able to rewrite the movie again in the editing room.
I'm so proud to be an Asian and just knowing that if we think of something, we're gonna have the opportunity to be the best version of ourselves and be the best.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
Because sometimes when someone is telling you something really important, it’s best to just let there be silence, to really think about what they’re saying. A lot of times people think they have to say something all insightful or wise or something to try and make the person feel better. But really, sometimes silence is best.
I guess when someone tells you something they they usually guard, you feel privileged, not because you know something no-one else knows, but because you feel chosen. You feel like that person wants her life to intersect with yours. I think that's what felt best about it.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
The best I do, if I'm just playing around and riffing in a fantasy world, and then I'll write something down. Hopefully I write it down.
I think the people who are saying jazz has to sound a particular way, or, 'What you're doing isn't jazz,' are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly.
A lot of jazz artists think people should like what they're doing just because it's jazz. I don't buy that.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
It's funny; I think I'm at a level of recognizability - is that even a word? - where it's just really nice. I think when people are really famous, it can be hard for them because they feel like it's an invasion. But for me, it's just a few times every day when someone will say something sweet and validating, and it's just the best.
I think the people who are saying jazz has to sound a particular way, or "what you're doing isn't jazz," are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly. It's the people who are talented enough and who have the open mind and who are forward-thinkers are the ones who are doing something new. You tend to hate on what you can't produce.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
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