A Quote by Billy Crystal

From the first time I saw Sid Caesar be funny I knew that's what I had to do. — © Billy Crystal
From the first time I saw Sid Caesar be funny I knew that's what I had to do.
I have performed my one-man show '700 Sundays' over 400 times now. There were only two times that I can honestly say I was nervous. The first was when I knew Mel Brooks was in the audience, and the second was when Sid Caesar came.
Emperor Sid Caesar is gone to eternity himself now. He takes with him the gratitude of every one of us who first learned the relief of laughter from this genuinely great performer.
I think in my case, I had no choice but to have a good sense of humor. I grew up with my dad, Danny Thomas, and George Burns and Bob Hope and Milton Berle and Sid Caesar and all those guys were at our house all the time and telling jokes and making each other laugh.
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
I remember being totally enamored with Sid Caesar.
I'll tell you the truth; I wanted to leave me for Sid Caesar.
I always loved Sid Caesar and all the people on his program.
I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'
The first time I was in this state recruiting, that's when I knew I wanted to be a Gator, because I saw the influence and saw what it's all about. This goes a long time.
[Wayne's World and Tommy Boy] was all from hosting Saturday Night Live the first time [in 1990]. I just had such a great time, and I had such a simpatico relationship with Mike Myers. And Lorne [Michaels]. I'll always be grateful for Lorne, who saw me as funny.
I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.
So that's when I saw the DNA model for the first time, in the Cavendish, and that's when I saw that this was it. And in a flash you just knew that this was very fundamental.
I was born in Amarillo. And my brother, who was a year older than I, had trouble saying the word 'Sister,' it came out 'Sid.' So I was called Sid.
In Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!
When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.
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