A Quote by Billy Crystal
As I sit here writing and look across the room at Janice, I keep thinking of the most heartbreaking question: which of us will go first?
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I think part of being Jewish is that innate desire to question things. Rabbis sit around all day and question the Torah. Giving yourself the room to question things, in a religion, just breeds thinking.
Everything I do is because of writing. If I go for a walk, it's because I'm thinking of writing. I go look at flowers, I go look at the garden, I go look at a museum, but it's all coming back to writing.
We can each sit and wait to die, from the very day of our births. Those of us who do not do so, choose to ask - and to answer - the two questions that define every conscious creature: What do I want? and What will I do to get it? Which are, finally, only one question: What is my will? Caine teaches us that the answer is always found within our own experience; our lives provide the structure of the question, and a properly phrased question contains its own answer.
Whence came I, whither go I? Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears. Science is reticent too when it is a question of the great Unity – the One of Parmenides – of which we all somehow form part, to which we belong. The most popular name for it in our time is God – with a capital ‘G’. Whence come I and whither go I? That is the great unfathomable question, the same for every one of us. Science has no answer to it.
I don't drive, so one of my assistants drives me to my writing room, and I have a calendar on the wall telling me how much time I have left, and how far behind I am. I look at it and panic, and decide which scene to work on. And you sit there plonking notes until something makes sense, and you don't think about it any more. Good tunes come when you're not thinking about it.
There is an Indian proverb that says that everyone is a house with four rooms, a physical, a mental, an emtional, and a spiritual . Most of us tend to live in one room most of the time but unless we go into every room every day, even if only to keep it aired, we are not a complete person.
You go first. Go through the door before me. Enter the limousine while I wait by your side. Enter the shops while I stand behind, guarding your back. Sit at the table before me. Please, sample the tastiest morsels while I sit quietly. My desire is that you go first, in every occasion of earthly life. Only once will I go before you, And that will be at my last moment. For when death claims us, you must go last. Because I can't live one second without you.
I think the first time I really felt that I was Palestinian was a time when I was trying to go back to school with my father at night and there was a curfew for Palestinians. My father said, "I will walk first, but you have to understand, the police will not let me go... So keep moving and don't look at me and don't look back."
I finally get to the place where the book has matured in my mind and I can hardly wait to start writing it. Then I just sit down and I start. I hit the go button. I have an outline, which is 70 pages, but I don't look at it. I never have to look at it.
It's been nice, actually, to keep in touch with a lot of the people and families that I've written about. Like with the kids I was just writing about from Guatemala, who survived being kidnapped and fleeing violence, it was nice to just sit down in their living room and play bingo with them, go to dinner with the family. And sometimes not thinking about it in such a mechanistic "I am now coming to report and get what I need" way, but just spending time, helps you see a more natural version of who they are too.
Let the fires go out in the boiler room of the church and the place will still look smart and clean, but it will be cold. The Prayer Room is the boiler room for its spiritual life.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
It's very important for us because we are viewers, first and foremost. We view more than we make. For us, it's important that the viewing experience is fun and thrilling and exciting and fresh and different. Those are our goals when we are writing something. When you watch it in the theatre, which I hope you will, how will you have the best experience possible? That's really important to us, and is the most thrilling.
When I work on a book, I usually start with a question. And I don't sit around and go "I need to write a book. What's a good question?" It will be a question that's just clanging around in my head.
When I work on a book, I usually start with a question. And I don't sit around and go 'I need to write a book. What's a good question?' It will be a question that's just clanging around in my head. So for 'What It Is,' it was this idea of 'What is an image?'
There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
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