A Quote by Billy Crystal
In my standup work, I always do these characters, older people who are just off to the side. It's easier to write a story about the guy who made it to the top, but the middle is so much more interesting, so much more murky.
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Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.
Nowadays, especially in big commercial films it's much easier for the audience, and they tend to get spoonfed. It's much more interesting to me, people leave the theater and they start asking themselves questions and find their own moral compass about what these characters have been doing.
One of the advantages of being an older woman in films,is that you don't care as much about so many things. There are women in history throughout the world that need to be portrayed. Women don't stop being interesting at 20, they get more interesting and more fascinating and people are going to have to write about them. We're undeniable.
Every actor will tell you it's so much more fun to play the bad guy because usually those characters are more complex and more broad and more interesting, and have more sides to them.
There are many ways to go about a story. And if you give yourself some formal constraints, it just makes the job so much - maybe 'easier' isn't the right word, but because you know your boundaries, you can just play within those boundaries much more, so it's much more fun to do.
It's always interesting researching characters and as I get older and the more that I work in this business, I do more and more of it because I realize how important it is.
Commitment. This is my favorite word because in some way, people who are committed are always much more interesting and much more reliable, and much more, I would say, deep than people who are not.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
We can just assume they have much more and powerful, more advanced technology, all the new computers, everything could be much more easier and help them to build much more and many more nuclear weapons.
Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder.
The characters that have greys are the more interesting characters. The hero who sometimes crosses the line and the villain who sometimes doesn't are just much more interesting.
I don't know if it's that the scripts are evolving or just that I'm getting older, but the characters become more interesting as you get older because you've lived more life at different stages. You've loved; you've lost; you have more of that journey.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
In New York, I much prefer playing older because as characters get older, they get more interesting.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
Women's lives get more interesting the older they get. For some reason, when you hit 35, it turns into a grey area filmically. There's not much more until you start playing grannies. I'm not ready for that. I'm just naffed off that, between 35 and 50, there aren't better things about.
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