A Quote by Billy Crystal

I never stopped believing in us, and I never felt like I was wanting for anything, except for my father, and that was not going to be. — © Billy Crystal
I never stopped believing in us, and I never felt like I was wanting for anything, except for my father, and that was not going to be.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
I never stopped grinding. I never stopped hustling. I never stopped working. I just kept moving. It has nothing to do with the money or anything like that. It's just that I love music.
I've had ups and downs in my career, and if you look at it as a bookmaker, the odds of me becoming a world champion were never in my favour, but I never stopped believing in myself and never stopped trying.
Believing in myself has been the key, and I never stopped believing in my dreams.
I never really felt like my age stopped people from wanting to work with me. I was speaking at conferences and lecturing at universities at 18, and I think that was mainly because web developing and management was a really young industry.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
My father never got films to our dinner table. It was never the case with us as well that our father works in films, and we know so many actors. It was like him going to work like any other father. In fact, my school friends would ask me if I have met a certain actor, and I would tell them that I haven't, which they found strange.
When the new country came out ten to 15 years ago, people my age were almost too old. But it never stopped me. I never stopped writing. I never stopped recording.
I dreamed of recording a guitar album since I started playing, but I just never felt ready. I never felt like I was the player that I wanted to be. But I had this epiphany: you're never going to feel ready.
I never felt I had anything to hide. I never felt being gay was anything to be ashamed of, so I never felt apologetic. I didn't have issues with it, didn't grow up with any religion, so I didn't have any religious, you know, issues to deal with as far as homosexuality is concerned. So, I accepted it very easily. For me, it wasn't that big a deal.
Like all children I had taken my father for granted. Now that I had lost him, I felt an emptiness that could never be filled. But I did not let myself cry, believing as a Muslim that tears pull a spirit earthward and won't let it be free.
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
And when I saw him[my father] lying dead in a pool of his own blood, I knew then that I hadn't stopped believing in God. I'd just stopped believing God cared. There might be a God, Clary, and there might be not. Either way, we're on our own.
Because our father played professional soccer, being in the spotlight never felt weird to me and my brother. We always felt we could do anything.
I think writers just can't come up with any new words for what we're doing, because we're not 'retro-' anything. Like, in 'Gold and a Pager,' we're not talking about what was current - pagers were cool to us, but they never stopped being cool; people just stopped using them.
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