A Quote by Billy Eichner

When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track. — © Billy Eichner
When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track.
I did sing a track for Dhanush's '3,' but that's because the track required a voice like mine.
You have to have that dog-eat-dog kind of mentality. I think me playing football all my life and having that chip on my shoulder, not really getting the opportunities that I wanted, really carried over to track and field. It allowed me to use all that energy and put it in the direction of being the best track athlete that I could be.
I started singing at age three - I opened my mouth some time, singing along to the radio, and my parents were like, 'Wow! You have a really great voice!'
I did volleyball, basketball, and track all through high school. And then I went to junior college and I stuck with track because I was good at shot put and discus. And then I got a full ride to Fresno State for their track program. Shot put was my main thing. I was the five-time All-American, and I set a couple records.
When I was 6, I opened my mouth and didn't stop singing. I had a voice and wanted to use it.
I used to be really nervous when I sang. Like, when I was a kid starting young, 18 and 19, and my dad really had to sort of push me to start singing in front of people. Ever since I got out there and really started doing it, the only thing I've ever tried to do is just sort of is be myself, you know, never put on a voice. Sing naturally.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
When the Black Lips sent a track over to me, I thought it sounded like a Beastie Boys track, the way the singer was singing and flowing on it. He was right in the pocket.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
I didn't get a ton of interest from colleges in baseball and football, but I was outstanding in track and had the sense that this would be my meal ticket... Track was a sport where I saw immediate improvement, and I had a lot of good support behind me... and the coaches had a lot of experience and pushed me in that direction for sure.
You could put me on any track. I support that one million percent. Whatever the track is, I'm going to smash it. Believe that.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I'm measuring my actions against that inner voice that for me at least is audible, is active, it tells me where I think I'm on track and where I think I'm off track.
My plan was to put him on a go-kart track when he was six years-old but he was with his mum at a track in Genk and he called me up crying because he saw a younger guy driving on the track. He said to me 'Daddy, I want to do this,' so when I got home from the Canadian GP, I bought him a go-kart and that's how he started.
In track years... track is not like other sports. You do have track athletes that stay in this sport until, like, 35, 36, but I think when you get to 28, it's really difficult.
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