A Quote by Billy Eichner
I can tell when somebody recognizes me, and I try to avoid those people.
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I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
We try really hard to avoid those conventional experiences, these adrenaline rush, anger, competition, violence. We intentionally avoid that. We try to create a game that's serene and tranquil and filled with love.
It's always a risky business inviting somebody on stage. You never know what they're going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.
I try to very hard to avoid a situation where I would be eating cat or dog; I've managed to gracefully avoid that. It's hypocritical of me and an arbitrary line, but one that I have managed to avoid crossing.
I always find it flattering when somebody recognizes me.
For those that reach out to try to help others, the less fortunate, those that are impoverished, those that feel like they need a pick-me-up, for somebody to have that extra energy to do that, I really have admiration for him.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
For a lot of people, if they're lucky, it begins with somebody who recognizes something in them.
Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.
I think it would be stupid for us to try and tell people who are dancing in a discotheque about the problems of the world. That is the very thing they have come away to avoid.
You can't tell me to stop being me. As long as there's something out there for me, or somebody offers me something that's reasonable, people that I want to fight, not just anybody, it's gotta make sense... but as long as those fights come around, I will continue to keep being me.
I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.
I really try to avoid, you know, rolling out the history. The people are so important to me, and what happens to them, how they react, how things happen to them, this is what is important. I feel that if I can tell THAT story well, then people will go and Google the rest and fill in what they need to know.
It's television. The reality of it is, if you go on the boards and people are saying, "I saw that coming," or "This is lame," or "I can't believe they're doing this again..." Having been one of those people myself, I know better, and try to avoid it.
I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.
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