A Quote by Billy Eichner
A lot of comics aren't their on-screen personas; Chris Rock isn't always ranting and raving. What I do is make myself this over-the-top character that people either find endearing or they think is a joke. Then I can do anything I want.
Related Quotes
I have a little bit of a temper, but it's ... a useless temper, ... It doesn't accomplish anything, generally. It's just a lot of ranting and raving and nothing, so David (Chase) probably saw that and put it into the character.
There's not a lot of comics with anything to say. It's entertaining, but when you think of Chris Rock, Richard Pryor or Bill Cosby, they all had something to say.
Tomorrow, they will say, Donald Trump rants and raves at the press. I'm not ranting and raving. I'm just telling you. You know, you're dishonest people. But - but I'm not ranting and raving. I love this. I'm having a good time doing it. But, tomorrow, the headlines are going to be, Donald Trump rants and raves.
It's funny you can pretty much substitute the same actors in that top tier, whether it's a Chris Evans or a Chris Pratt or a Chris Pine, for different movies and it becomes almost a joke. But it doesn't happen that way for people of color.
I don't want to be like the angry old guy in the corner who is always ranting and raving about the same things - but I don't mind doing that just a little bit!
If you're going to do a Chris Christie joke, just say, 'Christie spent $82,000 at a concession stand at MetLife Stadium. Then he turned to his friends and said, 'You guys want anything?'' That's a joke. I can't believe it. I caved in. I feel awful.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
To me, 'rant' was ranting and raving. So to me, it's heightened. emotional flipping out, frothing at the mouth. Where I grew up, that was a rant. I don't consider what I'm doing ranting.
There are many styles of standup, but the comedians I like are people like Dick Gregory and Richard Pryor. Because Richard Pryor told the truth. Chris Rock. I love Chris Rock. He's funny, but he's also poignant. He's not there just to make people laugh; he's there to make people wake up, too.
I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
If I can make you laugh and learn, I want to be like George Carlin and Richard Pryor and Eddie Murphy and Sam Kinison and Chris Rock and Dave Chappelle. I want to be of that ilk, I don't want to just make you laugh, I want to make you think.
You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.
I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
In all honesty I think, sometimes with the LGBT community, if you look at anything else surrounding it, there's always been this oddness and sense of humor. I really appreciate that. It's kind of a hard world to take yourself too seriously. It's a good balance check. It's not serious all the time. I'm that way too, even though I write a lot of depressing music. A lot of times our shows are not very serious at all. We joke a lot and then we play a sad song and then we joke again.
I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development.
We're interested by public personas and private personas, otherwise we wouldn't put on with actors rambling on with the same kind of stuff, over and over again, saying variations of the same thing. I'm always amazed by how fascinated people still are by actors because it's the same version of events that actors describe, all the time.
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