A Quote by Billy Eichner
The 'Billy On The Street' persona is truly inspired by who I was as a child - obviously not having an adult perspective on the world.
Related Quotes
'Billy on the Street' is a persona. It's crafted; it has writers. It's a mixture of performance art and comedy.
To me, what the 'Billy on the Street' persona is, is me as a 12-year-old.
I grew up in Lucknow, which is famous for its street food and kebabs. It was the street food and Lucknowi kebabs that inspired me. The culture of the varieties of food that I tasted as a child inspired me to be a cook.
I'm a lot less travelled as an adult than I was as a child, but I think living in far flung places gives you a perspective on the world and people that adds flavour to your writing.
I do not believe in a child world. It is a fantasy world. I believe the child should be taught from the very first that the whole world is his world, that adult and child share one world, that all generations are needed.
When I was a kid in San Diego, I would read fashion magazines and Interview magazine, and all of that really inspired me to create a persona. So by the time I moved to New York, in the early '80s, I'd learned how to create a persona, and I knew what my persona would be.
The clash between child and adult is never as stubborn as when the child within us confronts the adult in our child.
A child of five, if properly instructed, can, as truly believe, and be regenerated, as an adult.
In certain circumstances where he experiments in new types of conduct by cooperating with his equals, the child is already an adult. There is an adult in every child and a child in every adult. ... There exist in the child certain attitudes and beliefs which intellectual development will more and more tend to eliminate: there are others which will acquire more and more importance. The later are not derived from the former but are partly antagonistic to them.
Father died last year. I don't subscribe to the theory by which we only become truly adult when our parents die; we never become truly adult.
What was the freedom to which the adult human being rose in the morning, if each act was held back or inspired by the overpowering ghost of a little child?
Good children's literature appeals not only to the child in the adult, but to the adult in the child.
Writing from a teen's perspective is easy as pie. At least I've actually been a teen. I've never been a woman, or an ethnic minority, or a weary old man. If anything, writing from the perspective of a child is probably easier for me. When I was a kid everyone thought I was so clever and precocious. Now that I'm adult, everyone thinks that I'm kinda odd and childish.
When a child hits a child, we call it aggression. When a child hits an adult, we call it hostility. When an adult hits an adult, we call it assault. When an adult hits a child, we call it discipline.
The sight of a child…will arouse certain longings in adult, civilized persons — longings which relate to the unfulfilled desires and needs of those parts of the personality which have been blotted out of the total picture in favor of the adapted persona.
Meadowlark inspired me to play for a long time. I thought, 'If he could do it, I can do it.' The legacy that Meadowlark leaves is something that every child and adult can benefit from.
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