A Quote by Billy Gibbons
Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.
Related Quotes
I have a lot of guitar heroes I guess, some of them are female and some of them are male. Robert Fripp is one of them, and Marc Ribot, that's another guitar hero.
I love Robert Fripp. You know what I really appreciate about Robert Fripp? He always dresses appropriately for the occasion. When he's on stage, he's a Dapper Dan.
Some people are better at seeing things through to a logical conclusion as far as copying things they like from other people's records; they understand what Brian Eno did and they just do it.
I tend to write some, then outline some, then delete some, then go back and rewrite some. I love revising and hate first drafts. I have to wear bedroom slippers. My current favorites come from the Zetter Hotel in London. They have little tobacco pipes on the toes.
You put some things out there. Some work, some don't, and then one really takes off, and that pays for your failures. Then you go on to the next one.
Some of the things I've seen a lot of my female-actress friends who are relatively famous receive - I've seen some hideous things. Like some really, really bad things... like, the FBI should be contacted immediately.
We're taking up some science experiments, some crystal growth things, we have a refrigerator that carries up some samples, new samples that go into the station, we bring the old ones home; we have a lot of clothing, we have a lot of food-U.S. and Russian food.
I think with more electric vehicles on the road, hopefully we'll still be able to drive some fantastic sports cars with big V8s, or V10s, or even V12s. Why not? If we can find a way to balance the automotive world, where ultimately, when we have most of the commuters drive electric cars, then we won't really have any issue with some sports cars driving around.
I am a big Brian Eno fan - the first few Brian Eno records are just absolute gibberish and he came up with a lot of lyrics by writing down loads and loads of random sentences and streams, and I find meaning in that music, even though he'd probably say it's absolute gibberish.
I always feel like I'm in the five to ten pound struggle, but my life is so busy. I'm just not that concerned, really. I'm normal and I'm perfectly happy being that way. Some weeks I'm like, 'Man, my clothes are fitting so good' and then some weeks I'm like, 'I need to cut back on a few things,' but that's it. I don't fall into the trap of having to be 110 pounds.
There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
I've done some effects shots. I've done some compositing. And in 'Just Like Heaven' did a lot of, like, motion control and things like that. But never done, like, computer-generated imagery in action.
Typically, defenders of experiments on animals do not deny that animals suffer. They cannot deny the animals' suffering, because they need to stress the similarities between humans and other animals in order to claim that their experiments may have some relevance for human purposes. The experimenter who forces rats to choose between starvation and electric shock to see if they develop ulcers (which they do) does so because the rat has a nervous system very similar to a human being's, and presumably feels an electric shock in a similar way.
If I make a painting, it should be seen for what it's set out to do too. A lot of the things that I do, it's not all art. Some of it's design, some of it's illustration, some of it's graphics, some of it's concept, some of it's business and some of it, hopefully, is art.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician