A Quote by Billy Gibbons
Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.
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I revisited some music that I had written for Miles Devis. I used to work with Miles in the '80s. We did an album - "Tutu," that was really successful for Miles, and a couple of years ago we did "Tutu Revisited," and this is where we played the music from "Tutu." But I knew Miles would absolutely hate it if we just got on the stage and played the music the same way we did it in the '80s.
I used to try to play like [Miles Davis], and Miles caught me copying him one night at Birdland. He said, 'Hey man, why don't you play some of your own stuff.' So, I finally did, because I had copied all his solos.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time
Did you ever look in the mirror And see a stranger standing there? Did you ever drive for miles and miles And wonder how on earth you got yourself there?
The next film I have is called Miles Ahead, which is about Miles Davis, during a five-year period in his life during which he's struggling to figure out which direction to go musically and in his life. I play a record executive who's there to try to get Miles to collaborate with one of my clients. I'm excited to see that.
Miles exhaled carefully, faint with rage and reminded grief. He does not know, he told himself. He cannot know... "Ivan, one of these days somebody is going to pull out a weapon and plug you, and you're going to die in bewilderment, crying, "What did I say? What did I say?" "What did I say?" asked Ivan indignantly.
I believe in knowing all you can about the music and the people who made the music. I think it's much more important to know some good Miles Davis stories than to know how to play like Miles. I think you'll play better if you know some of the funny things he did than if you know the licks that he played.
Thinking about the things that happened, I don't know any other ball player would could have done what he (Jackie Robinson) did. To be able to hit with everybody yelling at him. He had to block all that out, block out everything but this ball that is coming in at a hundred miles an hour and he's got a split second to make up his mind if it's in or out or down or coming at his head, a split second to swing. To do what he did has got to be the most tremendous thing I've ever seen in sports.
My grandfather did not travel across 4,000 miles of the Atlantic Ocean to see this country overrun by immigrants. He did it because he killed a man back in Ireland.
I just went off for two months traveling around Europe on a motorcycle and pretty much turned my phone off. I did 5,000 miles with my dad. We went through Holland, Germany, Austria, Slovenia, Croatia, Bosnia, Montenegro, Italy... and then I did Spain and France by myself.
I came up in a small town ghetto and I never did think I'd be a celebrity or famous athlete, I was just loving to play the game of basketball. And I worked hard at everything I did.
I've had teams where we've had to get on a bus for 200 miles, play a game, and then drive 200 miles back.
Living in Portland, which is a predominantly white city, the privilege and the luxury to be able to obsess over a certain kind of minutia, that I think, if you did not have that privilege, would never be bothersome. When people are worried about whether "local" means 100 miles, or 50 miles, or 10 miles from a grocery store, I just think, "Wow. What a privilege it is to have that as a major concern in your life." As opposed to, "Can we afford food tonight?" Sometimes I'm just shocked at what becomes concerning in these kind of communities.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
I got my first guitar when I was 11. It was an electric, and I can remember just wanting to be Avril Lavigne! But I got annoyed with having to plug it in and play with amps and pedals and stuff. Then I got given a cheap acoustic, a Tanglewood, and I thought it was awesome because I could play it anywhere!
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