A Quote by Billy Joel

Critics have said I write without spontaneity, in cold blood. I don't. I write in hot blood. — © Billy Joel
Critics have said I write without spontaneity, in cold blood. I don't. I write in hot blood.
Of all writings I love only that which is written with blood. Write with blood: and you will discover that blood is spirit.
The blood of Heaven binds you," said the Queen. "Blood calls to blood, under the skin. But love and blood are not the same." "Riddles," Clary said angrily. "Do you even mean anything when you talk like that?" "He is bound to you," said the Queen. "But does he love you?
We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.
I was inspired to write children's books, but without blood and gore.
I write so slowly, I could write with my own blood and not hurt myself.
What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.
We have seen that blood united to blood in the case of but remotely connected species of animals, kills; blood united to blood in the case of more closely allied species of animals does not kill. The physical organism of man survives when strange blood comes in contact with strange blood, ... but clairvoyant power perishes under the influence of this mixing of blood, or exogamy.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
Ford carried on counting quietly. This is about the most aggressive thing you can do to a computer, the equivalent of going up to a human being and saying "Blood...blood...blood...blood...
Our live experiences, fixed in aphorisms, stiffen into cold epigrams. Our heart's blood, as we write it, turns to mere dull ink.
The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree.
Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.
To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness.
It was better that a little blood should be shed that much blood should be saved. The blood that was shed was bad blood; the blood that was saved was good blood.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
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