A Quote by Billy Joel
Well I never had a place that I could call my very own/That's all right, my love, 'cause you're my home.
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Imagine if you had baseball cards that showed all the performance stats for your people: batting averages, home runs, errors, ERAs, win/loss records. You could see what they did well and poorly and call on the right people to play the right positions in a very transparent way.
To be an outlaw you must first have a base in law to reject and get out of, I never had such a base. I never had a place I could call home that meant any more than a key to a house, apartment or hotel room. ... Am I alien? Alien from what exactly? Perhaps my home is my dream city, more real than my waking life precisely because it has no relation to waking life.
People ask, "What could possibly cause a normal person to torture her own child?" Well, the answer is: Nothing could cause a normal person to torture their own child. The reason that we see that happening is that there are people who don't care, who don't love - even their own children.
Traveling is all very well and good as long as you knew there is a place or person you can call home
The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
I never went to Albuquerque expecting to find love. I thought it had found me there, followed me home. I never came home expecting to lose love in the space of one brief telephone call. Is it always so short-lived?
I majored in religion for my entire undergraduate career at Duke University and then I went to seminary for a year unsure whether or not I really had the call to be a minister. I spoke with a pastor of my home church and told him I was going to seminary. He said "Do you feel the call to be a minister?" and I said "Honestly, I don't. I know it's the greatest call you could have but I'm not feeling that call myself. He said "Well, you know, you're wrong. It's not the greatest call. The greatest call is whatever calling God has for you."
Maintain 'baseball cards' and/or 'believability matrixes' for your people. Imagine if you had baseball cards that showed all the performance stats. You could see what they did well and poorly and call on the right people to play the right positions in a very transparent way.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
To this day, at my relatively advanced age, I still don't have a place I can really call home. I've never bought property. I just move between temporary base camps. I know that the very notion of home, of having a family or community, is a hard one for me to embrace.
I was hanging out with no one under 21. I thought that if I really wanted to fit in I had to... show them that I was in a way just as adult as they were, 'cause I could hold my own just as well as they could, if not better.
I have a number of symptoms that are neurotic and are constricting in the sense that if I had a brilliant idea for a film that had to be shot in Tulsa, OK I would tear it up and throw it away. Anything outside of New York, 'cause I can't exist in a hotel outside of my own home, I have to be in my own home and my own environment. This is a neurotic symptom that is constricting to my work even.
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Well, here he was. They could save each other, the way the poets promised lovers should. He was mystery, he was darkness, he was all she had dreamed of. And if she would only free him he would service her - oh yes - until her pleasure reached that threshold that, like all thresholds, was a place where the strong grew stronger, and the weak perished. Pleasure was pain there, and vice versa. And he knew it well enough to call it home.
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