A Quote by Billy Joel
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
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Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
Barry Crump wrote a lot of books and they were really special. They were kind of the quintessential, mild for the most part, kind of southern man, kind of the true heart of what it meant to be a Kiwi kind of farmer; very kind of outdoor man living off the land. That kind of thing, you don't see so much anymore these days with everyone being metrosexual and lattes and laptops.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.
I really don't do concept stuff very well. If I'm sitting thinking about what kind of song I want to write, within a few minutes, I'm kind of bored. It's just a personal thing for me.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.
Our whole intention was to make a record of songs that we grew up with and change them up a little bit, but we kind of stumbled on writing "Joseph's Lullaby." The irony is when I originally wrote the song, it was called "Mary's Lullaby." I wrote it from Mary's standpoint and it was in a higher key, a real falsetto, and it just wasn't right. One day, the producer's wife said, "Well, it's kind of odd that you're singing from Mary's perspective, being the guy. Why don't you do Joseph?
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
I can always be reminded how small I am when I try to surf a wave that's a little bit out of my league, and I just get pummeled. And, when your life flashes before your eyes kind of stuff, deep down under the water where you don't know what's up or down, and that kind of thing, or just Mother Nature reminding you how small you are compared to it. That's kind of the main thing for me.
When you add just a little bit [of Tabasco] at the end, what you taste is the spectrum between the cooked chile flavor and the kind of nearly raw, just kind of fermented chile flavor at the end.
'Divorce' was kind of strange because I was going in and out of doing it while doing different movies! So, I kept returning to a set character and this set gig, and that was kind of interesting for me as an actor.
We've been playing a lot with television. We have some shows set up and then some new shows that are about to be set up. That's gonna be kind of a fun thing for us as producers.
The idea of forever is kind of ridiculous, which is unfortunate because its kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
The idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
Probably the biggest mistake that I made personally is I knew early on that I wanted to go into start-ups and creating kind of software that could help change the lives of millions of people. And basically what I did is I kind of went, okay, well, I need a set of titles and I need a checklist of skills, and I ran through all that, and that wasn't a useless thing, but what I didn't realize, and, you know, and no one gave me the right advice for doing this, is that actually your network, in essentially, is your career.
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