A Quote by Billy Joel

I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood. — © Billy Joel
I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood.
I was just such a quiet kid. I found boxing when I was 14 years old. I went down to the gym because my brother, who used to beat me up all the time, introduced me to boxing. I found boxing to be a sport that I felt safe in because I controlled what was in those four squares.
Being bullied is the reason I got into boxing. When I was 14, I was being bullied by a kid in junior high school. I wanted to do this the right way. So we went to a boxing gym. We boxed, I beat him up in the ring. He never bullied me again and I found my passion in the sport of boxing.
I grew up painting and playing piano so when I was a little kid I thought I was going to be an artist or a painter but my mom had me taking piano lessons for about 10-12 years as a young kid.
I was always the new kid in school, I'm the kid from a broken family, I'm the kid who had no dad showing up at the father-son stuff, I'm the kid that was using food stamps at the grocery store.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
I was the worst, most sickly kid of all - 30 pounds underweight. The girls used to beat me up. Actually I was a mean kid, early on because I had no self-esteem.
If I beat Canelo Alvarez at Madison Square Garden, I wake up the next day the king of New York and the new face of boxing.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
My New York, the one I identify with as a kid, has greatly changed. And I'm sure the people who were adults when I was a kid probably felt the same way.
I think any parent that makes their kid sit at a piano against their will and practice, they're going to have a kid that's not going to want to play the piano.
Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.
I'd go back, yeah. I don't care, I got a kid, man - I'll sell tampons. I mean, there's no selling-out once you get a kid. I got a kid.
I was a kid who got picked on in school and got beat up by popular, athletic soccer-type people.
When I was a kid, three years old, I couldn't walk by the piano without reaching up and trying to play a few notes on it. There are kids who are just drawn to listening to music and dancing to it and trying to conduct.
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