A Quote by Billy Joel

I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. What I do, in my opinion, is by no means extraordinary. — © Billy Joel
I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. What I do, in my opinion, is by no means extraordinary.
I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. ... I'm probably writing music now for the same reason as I started writing songs when I was 14-to meet women. ... If you make music for the human needs you have within yourself, then you do it for all humans who need the same things. You enrich humanity with the profound expression of these feelings. ... My songs are like my kids.
The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
If people are failing, they look inept. If people are succeeding, they look strong and good and competent. That's the 'halo effect.' Your first impression of a thing sets up your subsequent beliefs. If the company looks inept to you, you may assume everything else they do is inept.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
To be a songwriter-singer means the songs come from deep within, and you treat them as an artist, with that much respect. I couldn't hardly cheat myself.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
I am, as I've said, merely competent. But in an age of incompetence, that makes me extraordinary.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
Any pianist and singer/songwriter would say "Carnegie Hall." It's such a legendary place. I'd love to play at Carnegie Hall. That's definitely dream of mine.
When you have some skills but don't fully understand your environment, there is no way you can be a plus one. At best, you can be a zero. But a zero isn't a bad thing to be. You're competent enough not to create problems or make more work for everyone else. And you have to be competent, and prove to others that you are, before you can be extraordinary. There are no short-cuts, unfortunately.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.
To try and learn how to be a singer, a really good guitar player, a really good pianist, it's always lagged a bit behind learning to be the best songwriter I could possibly be because songwriting comes naturally to me.
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