A Quote by Billy Lawrence
I never went after character payments. I'm pretty much terrible at naming characters, so I usually name them after people I know.
Related Quotes
I was very moved to see that the name of the boat was Hamlet - an imaginary character becomes so important to people, we think about them so much that we name a ship after them. The imaginary lives on in the real.
I have found that the characters in my novels stay with me after a book has ended. I know them in some sense. I never map anything out. I just think until I am secure in the voice of one of them, and then let the character unfold.
To me, it seems pretty obvious that socialism is terrible. After all, do you know what's not terrible? Freedom.
I can't help but think that it's an unfortunate custom to name children after people who come to sticky ends. Even if they are fictional characters, it doesn't bode well for the poor things. There are too many Judes and Tesses and Clarissas and Cordelias around. If we must name our children after literary figures then we should search out happy ones, although it's true they are much harder to find.
By virtue of this science the poet is the Namer, or Language-maker, naming things sometimes after their appearance, sometimes after their essence, and giving to every one its own name and not another's, thereby rejoicing the intellect, which delights in detachment or boundary.
My fans have always been so supportive, and several years ago, I realized that I could thank them by naming all my characters after my Twitter and Facebook fans.
I did a load of medicine cabinets a long time ago and I named them after Sex Pistols songs. I suppose I must be getting old if I'm naming work after Philip Larkin poems.
I think people are a mixture of everything. I like desperate characters because they do things that most of us normally wouldn't do. If a character is a scoundrel or a liar you think you know them, but then I can bring some emotion to them and they become much fuller than you ever imagined. So what I try to do is have a story where you don't quite know where it's going, and characters who you don't quite know where they're going.
What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks? Trains don't normally sneak up on people. Unless they've derailed, you pretty much know where to find them.
Superman is pretty much the way he was - you know - what he's always been. A lot of the Marvel characters are products of their time. I think Batman, as a character, has been able to adapt; he's pretty malleable.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
People break down after a couple of hours. All the defenses go down, and there's a kind of communication that if I spent 20 years in a living room with one of these people, I would never, never know as much about them as I do in that one day.
And wasn't it terrible, how much he looked forward to those moments, so much so that sometimes even a ride by himself on the subway was the best part of the day? Wasn't it terrible that after all the work one put into finding a person to spend one's life with, after making a family with that person, even in spite of missing that person...that solitude was what one relished the most, the only thing that, even in fleeting, diminished doses, kept one sane?
Look, we live in a very dangerous world. We know there are people who want to take away our freedoms. New Yorkers probably know that as much if not more than anybody else after the terrible tragedy of 9/11.
'Kiss Land' is the story after 'Trilogy'; it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me, 'Why Japan?' I simply tell them it's the furthest I've ever been from home. It really is a different planet.
One or two people have named their children after characters in my songs. That's pretty intense.
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