A Quote by Billy Lawrence
The only way to keep a show alive is to stay loyal to your fans and not betray them creatively or ignore them when it comes to extra content. I'm on Twitter because I'm trying to answer their questions.
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I try to share a lot of my life on Snapchat, Twitter, Instagram, everything. I really like interacting with fans on Twitter and answering their questions and just getting to know them because it's cool for them to have people who are connecting with my music reach out and show interest.
The only real connection I have with Indian fans is through Twitter, where I try to answer as many questions as I can, or if they write anything nice, I do try and let them know if - that I liked it. I do get a bunch of people from India tweeting to me.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
I keep in touch with my fans by keeping a blog online and I try to answer questions every day. I also have a twitter and a facebook. I think that social networking gives authors a unique insight in the minds of their fans and for me that is very valuable.
The comic is today's western, so many movies, and I think that if actors want to optimize their longevity, it's important for them to meet the fans because those fans are so loyal and will show up at any movie or tune in to any television show they're on.
If we continue to treat content as an extra to information architecture, to content management or to anything else, we miss a bright opportunity to influence users. Content is not a nice-to-have extra. Content is a star of the user experience show. Let’s make content shine.
Twitter scares me. I think it's so amazing, like the internet in general, because of the connection that it gives people. But the concept that one 140-word post can change someone's life . . . that scares me. You can literally ruin someone's life with one tweet. So I only do Instagram. I love photography . . . and interacting with the fans. I do love hearing from them. I try to answer questions if I can.
We are our stories. We tell them to stay alive or keep alive those who only live now in the telling.
The way you talk to your teammates and push them and the way you treat them is important. There is a fine line between trying to help your teammates and criticizing them. The toughest part for me is how to keep my teammates accountable but at the same time do it in a loving way that doesnt judge or condemn them. It's definitely been a struggle and I'm trying to learn how to lead consciously in a way that honors God.
When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details.
I would be horrible at Twitter. I wouldn't know the answer to fans' questions half the time - and the patience involved! I couldn't imagine. I did have a Twitter account that I tried for a couple days, but found I had nothing to say.
I thought "I don't need to reach out to my fans, I don't need to have that dialogue with them." But as a musician, you have to constantly - especially since my music is not on the same level as my acting - you have to connect with your fans. I actually feel like I have developed friendships through Twitter, people that I've worked with I can kind of keep up with them. I've totally turned a corner. I get it. And Instagram.
Unlike someone like Tom Hanks, or U2, the comics industry is not a thriving industry and we all need to keep and expand our audience. The best way to do that is to keep the fans we have happy and to keep them excited about our next projects so they'll keep following our work. The best way to do that is to continually engage them in conversation. I don't mean to sound flippant by any means. We're not being nice to our fans because we have to.
If, for example, I saw my grandparents or my daughter for an instant, would I recognize them? Probably not, because in looking so hard for a way to keep them alive, remembering them in the most minimal details, I have been changing them, adorning them with qualities they may not have had. I have given them a destiny much more complex than the ones they lived.
Writers always sound insufferably smug when they sit back and assert that their job is only to ask questions and not to answer them. But, in good part, it is true. And once you become committed to one particular answer, your freedom to ask new questions is seriously impaired.
It's really important to keep sponsoring young people so the audience gets used to them and starts enjoying them. They're the only way your show can keep going, otherwise it's going to burn out in one or two years. Hopefully you're creating your headliners of the future.
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