A Quote by Billy Porter

People don't see me in traditional roles; I'm not getting cast in the revival of 'Company' as Bobby. — © Billy Porter
People don't see me in traditional roles; I'm not getting cast in the revival of 'Company' as Bobby.
I don't believe in being lazy, but I do think that this "big kid" thing may just be misinterpreting people who are taking advantage of all their opportunities and not tying themselves down to traditional gender roles or traditional life roles.
Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
It was Benny P Nayarambalam who first cast me in a character which made people laugh, in 'Marykkundoru Kunjadu.' Then 'Seniors' happened, followed by 'Ordinary' and 'Romans.' They were all commercially successful films and so I kept getting such roles.
After many of years of getting cast in sweet, angelic roles, I'm finally getting to play closer to my real life as a horrible person.
There's not millions of dollars riding behind something - so I think a lot of people took chances on me and cast me in roles in Chicago that I never would have gotten cast in possibly if I had come to New York right away. I got to be the not-your-typical-choice for a role.
Prayer is the burden of revival; repentance is the breakthrough of revival; evangelism is the blessing of revival; holiness is the bounty of revival.
My career wouldn't have taken this direction if Anjan Dutt hadn't cast me in 'Bong Connection' years back. After that, I started getting meaty roles.
'Fukrey' was a major turning point of my career because it was post this film that I started getting lead roles in films like 'Bobby Jasoos.'
Most of my popular movies have seen me cast in serious roles. But then I am mostly offered such roles.
I don't think people have ever cast me for anything too traditional or midwestern or housewifey.
I think a lot of directors over the years have cast me because they see something of another generation in me: you know, certain people look like they've come from the 19th century. Because I have classical background I suppose that is more suitable to patriarchal roles and easily infuses them.
Even if people that I was in love with - even if Bobby Fulton inherited a billion dollars and opened All Elite Wrestling, I was never going to be the manager of The Revival on a weekly television basis ever because that would require me being on the road on a weekly basis.
I take the fact that people cast me more in negative roles as a compliment.
It's easy for a multi-billion company like WWE - it's for a company like that to hire anyone. So I'm glad Bobby Lashley is back in action with that company, 'cause he's a fantastic guy.
It's a huge compliment that people continue to cast me in different types of roles believing in me and the fact that I can carry it off.
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