A Quote by Billy Preston

I'm playing with Bonnie Raitt. I don't have to sing it. I just have to play it. That's cool. — © Billy Preston
I'm playing with Bonnie Raitt. I don't have to sing it. I just have to play it. That's cool.
Dad would always play Ray Charles in the car on the way to swimming, then we'd sing musicals. Now my heroes are Janis Joplin and Bonnie Raitt and Max Richter.
I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.
Bonnie Raitt and Lynyrd Skynyrd were two people I went on the road with.
Growing up, I didn't have a lot of role models - Bonnie Raitt, Lita Ford, Jennifer Batten.
Since I was 20 years old, I've been a kind of corporation. I'd wake up in the morning and my job was to be 'Bonnie Raitt' in capital letters.
I see musicians like Bonnie Raitt and Emmylou Harris as more than just musical icons: they are planets, with a gravitational pull - from how they flip their hair just-so when they bow, right down to their hearty backstage banter. It takes decades to learn the innuendos of being gracious and genuine all at once.
Just because I said lyrics are a sign of the inability to sing doesn't mean....A) I believe that, or B) I don't think they're cool. They are cool. Words are great. I sing along with my favorite songs, but when I am drumming and singing, the words become a note that for me. In the process of playing they have more emotional impact as notes then an actual word.
In the tradition of great female artists, Karla Bonoff, Bonnie Raitt, Christine McVie, Shawn Colvin, Sarah McLachlan....now enter Maia Sharp.
I love a lot of the '70s musicians, like Bonnie Raitt. And I love Sheryl Crow. But probably my favorite musician is a woman by the name of Schuyler Fisk.
Back seat drivers don’t know the feel of the wheel but they sho’ know how to make a fuss" Bob Dylan/Bonnie Raitt, “Let’s Keep It Between Us,” 1982
What - of all the incredible duets that I've been able to sing, you know, John Raitt was still the one that I just shook in my boots just standing next to him. I loved him so much.
It was the British rockers that saved me. They brought me to a different generation altogether [in the 60th]. The Who and The Yardbirds and Georgie Fame and Van Morrison and all those people. The only person who ever did my songs in [ U.S] country was Bonnie Raitt.
I love to sing, but I'm just terrible. I play guitar, and I play enough where I can play most country stuff, and I'll sing when it's just me.
Bonnie who had never hurt a - a harmless thing for malice. Bonnie who was like a kitten making airy pounces at no prey at all. Bonnie with her hair that was called something strawberry but that looked simply as if it was on fire. Bonnie of the translucent skin with the delicate violet fjords and estuaries of veins all over her throat and inner arms. Bonnie who had lately taken to looking at him sideways with her large childlike eyes big and brown under lashes like stars...
I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.
When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.
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