A Quote by Billy Sheehan

As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass. — © Billy Sheehan
As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass.
The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.
I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player.
Flamenco was probably the first music that I may have heard as a baby, because my father played flamenco.
My music pulls from flamenco plenty; it wouldn't make sense without that genre. I also have a lot of love for flamenco and I'm very happy if I can be an ambassador for it.
I feel like flamenco is part of this Latin music culture. It's from Spain, but flamenco has always been connected to Latinoamerica.
Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.
I grew up with a strong Spanish influence. I tried to learn flamenco when I was younger. But it's like my teacher said: 'It takes a lifetime to learn flamenco.'
I am rooted in flamenco. At 13, I fell in love with it, but I couldn't sing it. To sing flamenco is like being a kind of opera singer. You have to learn how.
Robby had a flamenco and folk music background. I was so enamored with watching Robby's fingers crawl across the flamenco guitar strings like a crab.
There were a lot of different styles in the house - Motown, Led Zeppelin, Rolling Stones, jazz - and my dad played flamenco guitar. Soon I realized that bass was what was really grooving me.
Flamenco is the reflection of the street. It's that thing that's so beautiful, that comes directly from the people. It has so much truth, tragedy, falling in love, falling out of love, flamenco has it all. You can learn so much, that's why it's so incredible and so beautiful.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I respect the flamenco tradition.
Flamenco is dark - it's about tragedy and intensity.
To learn flamenco is to swallow your pride.
My music would make no sense without flamenco.
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