A Quote by Billy Sheehan
I believe the best persona to be onstage is the one that comes naturally.
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My onstage persona really is a persona, you know, and really the moment I step onstage, it kind of kicks into gear.
I believe that Maryse's persona was the best female persona in years within the WWE.
I think it would be really brutal to put on a persona and get famous for that persona. Like, 'I'm number one, I'm the best!' because that sounds like a lot of pressure.
I would say I locked into my persona pretty early; I wouldn't say it's how I am naturally, but it's how I am naturally when I'm on a stage in front of people. That anxiety makes me be the character that I am.
Our persona was not created by accident; it was created in order to camouflage the parts of ourselves we deemed the most undesirable and to overcompensate for what we believe to be our deepest flaws. What persona are you hiding behind?
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I think I spent a lot of my mid-twenties thinking it was a problem of my onstage persona. But, actually, it was my actual personality. I was still working out what kind of person I was.
I have a big persona onstage sometimes, but offstage, I'm super shy. Like, I don't want to perform for people - I'd rather die than sing in a room for someone.
I think my perception of my own life is different and the fact that Lauren and myself are together. I've never felt this free or happy and so that permeates onto my onstage persona and to my working environment.
I've been known to wear pajamas onstage for the sole reason of wanting to make sure I'm free enough to execute new things vocally onstage and give my best performance possible.
I had a persona as a player, and I know this will come as a shock, but I liked to talk. But don't let the persona overshadow the person. The persona liked to have fun. The person knew when it was time to get to work.
You never knew what was going to happen in concert. It was a really exciting prospect to go onstage, and you can hear that in the live recordings ... wherever we were and whatever year it was, we always went onstage determined to do our best.
When I was a kid in San Diego, I would read fashion magazines and Interview magazine, and all of that really inspired me to create a persona. So by the time I moved to New York, in the early '80s, I'd learned how to create a persona, and I knew what my persona would be.
As a rapper, you sort of act in music videos and in the persona you adopt onstage. You kinda have to put yourself out there and be courageous even to be a rapper. So, to step into acting was not that difficult a transition to make.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
In underground music, there seems to be this real inability for people to express themselves in any kind of heroic or mythological way. There's this idea that we're all normal joes, and that creating a persona onstage or having schtick is somehow false and misleading and evil.
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