A Quote by Billy Squier
I knew that I had done my best on 'Tell The Truth'... I was so proud of that record.
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I was only 24 years old when I won my first Olympia. To be that young and the world champion was a lot of pressure. When I won the 8th one, I had the record. I was on top: that was the absolute best that I ever looked onstage, the best training and prep that I had done, and I had no regrets. I knew it was time to walk away.
Pretty much every record I've ever done, I can go back and listen to them and be proud. I'm proud of everything I've done.
Because the truth is, nobody knows what's best for you better than you do. You have to really sit still and ask yourself: What do I want? Does this feel right? What should I do? I realized I had to go back and do what I had always done. Listening to my gut was just as important as listening to the advice of others, and only I knew what was best for me.
When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.
My daddy always told me to just do the best you knew how and tell the truth. He said there was nothin to set a man’s mind at ease like wakin up in the morning and not havin to decide who you were. And if you done somethin wrong just stand up and say you done it and say you’re sorry and get on with it. Don’t haul stuff around with you.
I can't tell you how many times I've had a friend tell me, in this tender and discreet voice, 'It's just you and me bro, and I want to tell you the truth: make a record of you and an acoustic guitar. Please. That's what everybody actually likes.' That's so funny to me.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
I'm proud that I've even had a career, but 'proud' isn't the first word I'd use. I feel lucky that I moved to Manchester when I was 12 because I don't think I could have done this in Ireland. And I feel lucky that the government took care of me from the age of 16 to when I signed my first record deal at 19.
I knew the second I finished the first record - 'House Of Balloons' - and had all this material leftover that a trilogy would be best.
I had done Shrek as a Canadian and I'm very proud to be Canadian, but I knew I could give more to it.
Phrase it in an interesting way; don't phrase it in a mean or unfriendly way. Bob Dole said that if there's anything he would have done differently, he would have said [to George Bush] "Start telling the truth about my record" instead of "Stop lying about my record." Frankly, had he done that, life might be different for Bob Dole today.
My thing is to try to tell the truth as honestly as possible. For me, the weight is, how can I tell the truth through fiction, the best that I can?
For a moment, I wondered how different my life would have been had they been my parents, but I shook the thought away. I knew my father had done the best he could, and I had no regrets about the way I'd turned out. Regrets about the journey, maybe, but not the destination. Because however it had happened, I'd somehow ended up eating shrimp in a dingy downtown shack with a girl that I already knew I'd never forget.
The first song that I wrote that I was proud of was probably 'Hunter' from the first record. But I listen that now and I don't know. I mean, it's got a good hook, but still. I'm proud of it. I'm as proud as I can be of all the ideas, but I think 'Party' showed a maturity that I don't think I had on 'Aldous Harding.'
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
When I left college, it broke my mom's heart, but I knew I had to be in Nashville. I knew that was the place you had to be in to become a better songwriter, and that's what I wanted to move there for and to ultimately get a record deal.
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