A Quote by Billy Squier

There's a time that you realize that you're not gonna get out of a room without playing certain songs. — © Billy Squier
There's a time that you realize that you're not gonna get out of a room without playing certain songs.
We kind of just got more mature and more realistic with what we're doing. We kinda said, "We quit our jobs and we quit college to do this, and we're going to be playing these songs every day just about, y'know, on a stage... so let's write songs that we're never gonna get sick of playing." Songs that aren't just gonna follow a trend of what's going on right now, y'know?
I’m never gonna wait that extra twenty minutes to text you back, and I’m never gonna play hard to get when I know your life has been hard enough already. When we all know everyone’s life has been hard enough already it’s hard to watch the game we make of love, like everyone’s playing checkers with their scars, saying checkmate whenever they get out without a broken heart. Just to be clear I don’t want to get out without a broken heart. I intend to leave this life so shattered there’s gonna have to be a thousand separate heavens for all of my flying parts.
There's certain songs that you're gonna record that you hope to touch people and change lives, and there's certain songs that you know that are not going to be that serious.
We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
When I started out playing small clubs, you could feel the room recoil from certain kinds of songs. Anything that was too personal, that had a sentiment to it, or was laying out your feelings, was immediately booed. People would start throwing things. And anything that was really provocative or humorous or radical was embraced or cheered.
I can listen to the same song back-to-back for two to three hours straight. I'm not psycho; I swear. There are some songs I won't listen to any more because they are songs that helped me get to emotional places. Even if I hear it, I'll have to walk out of the room or turn it down. It sounds so strange but those things affect me in a certain way.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
I'm gonna put out another album and then another album after that. And then I'm gonna put out a mixtape, and then I'm gonna put out another ten songs, and then I'm gonna put out a hundred more songs and a thousand songs after that.
I'm from Louisville, Kentucky, and nobody gets out of there. So I'm like, how am I gonna get out of there? Nobody else can. So it took some time. The struggle made me realize I didn't really want to be 'normal' anymore.
I fell in love with singing, and through singing, I learned how to write songs. Anything you're consistent with and that you do all the time, you're gonna reap benefits off it at one point. You're not gonna get worse!
It will affect me in ways I can't even begin to get my mind around. This day is a dark crater. There is no room for songs. The songs are wrong. Every song is wrong. And I don't know what to do without music.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
It takes a certain amount of time and faith to accept or to realize that there is no difference between Him and His name, to get to the point where you're no longer mystified by where He is. You know, like, "Is He around here?" You realize after some time, "Here He is - right here!" It's a matter of practice.
I realize that dinner time, bath time, and bed time is 'roll your sleeves up, we can do this.' Just get one foot in front of the other, it's gonna be okay.
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