A Quote by Billy Squier
I never try to create a different personality or anything like that. I'm not like David Bowie or somebody like that, who changes personas each year.
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If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
I knew about things like Iggy Pop and The Velvet Underground, weirdly, before I knew about David Bowie. I didn't know what David Bowie was, when I was a kid. I thought he was like Visage.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
Every time I make a record, it's a gem with different facets, and every time I like to explore a different side. The core is the same, it never changes, but I try to create a different shape.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
I'd never seen anything like it in my life. Someone so blatantly challenging the ideas of race and gender and sexuality. In a way, it was comparable to David Bowie, except that Prince brought that to the black community.
I'm someone who admires artists like Madonna and David Bowie, who really change their sound drastically between each record.
The through line of the way I like to work, what makes me different, and what I like to do for every project - although they are completely different from each other - is I like to do a lot of research and create a unique landscape and unique soundscape for each movie.
One of my biggest influences of all time would be somebody like Tom Waits. David Bowie is another huge influence. I'm also a big fan of St. Vincent and Leslie Feist.
I was looking at people like Jim Morrison and David Bowie and Mick Jagger and I thought, Ah! I want to look like them.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
We operate from this position of, "Let's build the skeleton and then insert the filling." We have this ping-pong dynamic with each other where we're able to try different things and bounce different ideas, and it ends up being us building our music together. I've never had a moment where I've been like, "I don't like it." Actually, that's total bullshit. I've had many moments where I'm like, "I don't like it," but it's always evolving.
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
I am impressed by the way Annie Kevans captured the different types of beauties that have been my inspiration and my muses from my grandmother to artists like David Bowie and Boy George.
If you walked around like David Bowie in 1973 in Reading, you'd get beaten up. The 1970s in a small town was more like the 1950s.. and that's the truth. The backdrop was probably Victorian.
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