A Quote by Billy Squier

Seeing a young band, seeing that hunger and the raw spontaneity, is good for me. It keeps me young, so to speak. — © Billy Squier
Seeing a young band, seeing that hunger and the raw spontaneity, is good for me. It keeps me young, so to speak.
Be young. Keep yourself young by having a good, sporty car like a Corvette. It keeps you on your toes. It keeps you young. It keeps you thinking young. It keeps you thinking modern and good things. Corvette is a modern, modern automobile.
I'm no longer the young woman I was playing before, and I'm in a profession where that continuum that is me is irrelevant to most people - they're meeting me for the first time, seeing me for the first time, and they're seeing an old woman, so that's what I've got to start being.
I started going to rock shows at a really young age, and seeing other young people make music definitely influenced me.
When I was a young kid, my pops introduced me to it. He took me to Harlem, 145th and Edgecombe, to watch the filming of Claudine with James Earl Jones and Diahann Carroll. That was my first taste of seeing a set and the cameras, and I was bit by the acting bug at a young age.
Seeing different sides of life, seeing different sides of society, that's what London's all about. When I was young my mum always tried to make me do that.
I have always been drawn to young characters and seeing big tapestries through the eyes of a child. It probably comes from being a father myself and having a young son and seeing the world through his eyes. I write stories that are sort of the exaggerated version of that.
I remember seeing Eddie Murphy RAW and seeing people laughing and having a good time and that was the same response I was getting so I thought I was on to something.
What keeps me motivated is going out to the field and seeing programs that incorporate a focus on both people and the planet, and seeing how mutually reinforcing they can really be.
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
I have a responsibility to pass on to the next generation what I learned from my teachers, ... It keeps me young and reminds me where I came from. Teaching young artists is like giving water to a flower.
I grew up in front of these people, and now they are seeing me as an 'older' young man.
When I speak to people I worked with when I was young, they constantly tell me they wish their students would work half as hard as I did. I was always one to get a lot more out of myself, seeing the glass as half-empty rather than half-full.
I remember seeing the Colosseum for the first time when I was a young boy. It left a lasting impression on me.
I know the feeling of being in a city - and a team winning a championship - as a young person, and then seeing the impact in the community, seeing the excitement for days, for weeks, for long stretch of time, and how special it can be.
Or, to express this in another way, suggested to me by Professor Suzuki, in connection with seeing into our own nature, poetry is the something that we see, but the seeing and the something are one; without the seeing there is no something, no something, no seeing. There is neither discovery nor creation: only the perfect, indivisible experience.
You are seeing me now, when I am old and ugly; you should have seen me then, when I was young and ugly.
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