A Quote by Billy Strayhorn
In order to play and write, it's unique - you either do one or the other.
Related Quotes
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
Some writers research in order to write. I write in order to research topics that interest me. Especially if I can meet with other people, in forums from illness support groups to phone-sex hotlines, and learn what other people know best.
In our case, finding a Lucy is unique. No one will ever find another Lucy. You can't order one from a biological supply house. It's a unique discovery, a unique specimen.
Each play I write has its own unique origin story.
We pass the word around; we ponder how the case is put by different people, we read the poetry; we meditate over the literature; we play the music; we change our minds; we reach an understanding. Society evolves this way, not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.
It is all, as usual, paradox. I have to use what intellect I have in order to write books, but I write the kind of books I do in order that I may try to set down glimpses of things that are on the other side of the intellect. We do not go around and discard the intellect, but we must go through and beyond it.
I write as if I'm someone reading the book - often people ask if I write one strand first and then go back and seed in the other, but I don't think I could keep track of who knows what, and the tension would come out wrong, so the answer is no - I write it more or less in the order you read it.
The German health care system is unique in its attempt to combine competition among sickness funds on the one hand and a universal coverage plan on the other hand. Most health care systems are either one or the other, so you either have private insurance and competition but not everyone is covered for everything, or you have a single-payer system. So the ideal types are like the American system on the one hand or the Scandinavian or U.K. systems on the other end.
Germany tries to combine the advantages.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
There is simply no other choice than this: either to abstain from interference in the free play of the market, or to delegate the entire management of production and distribution to the government. Either capitalism or socialism: there exists no middle way.
Order is the disposition of things in which each gives to the other its room, its own proper place. That's the external aspect. The other is that order that springs from love: there's no other way of establishing order except through love.
Subject matter that is not bound to reality offers more opportunity to write a unique story and cinematically present it in very unique ways.
Literally everything I do is either write songs and play music, or I'm immersed in my domestic life.
Society evolves not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.
Either we need to redefine what probable cause means and say that police are not subject to it, or we arrest officers right away just as we would with any other person accused of committing a crime. Either we write new laws or enforce existing ones; we cannot have it both ways.
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