A Quote by Billy Unger
I play guitar... I like to say that I'm pretty good, but it takes someone else to tell you that you're really good.
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My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination... I think we're going to have a real good record.
I'm a pretty good drummer. I'm pretty good at guitar, bass and piano. I can play accordion; I'm not virtuoso. I've played cello before. My sister played it, and I know how to play it, but I'm not the best. Violin is kind of the same thing.
It takes an entire book to tell you what it was like. To see Robert De Niro play your father - it's not a simple answer. To see Julianne Moore play your mother. To see Paul Dano play you - that's an even more inscrutable question... he's amazing, he's totally amazing, but I can't really say if he's a good me or not.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.
You couldn't really like a bad guitar in 1960 'cause everybody was pretty good.
When a person you love dies, it doesn’t feel real. It’s like it’s happening to someone else. It’s someone else’s life. I’ve never been good with the abstract. What does it mean when someone is really truly gone?
Whenever it was spring break, someone would always have a guitar down at the beach, and they'd play a random song, and I'd sing. Eventually, hearing compliments from people saying I sounded pretty good stuck with me.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
You can only call someone crazy if there’s someone else who’s normal. Like good and evil. If everything was good, then nothing would be good.
It's not great if someone gives you sort of bland praise without giving you clear direction and say, "This is good, let's try it like this." I have worked with someone who seemed quite inarticulate and just would say, "That's good, that's good." That's very frustrating because - it's nice to know something is good but you know it can always change.
When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.
I would think that the drumstick is probably pretty good. Because you can put that anywhere. If you are a strong guy, you can put it in the throat, the nose, the mouth, the ear. It's also easily concealed. The guitar is pretty good, but you have to break it. And that's pretty difficult.
When you're doing a medieval show like 'Pillars,' it starts off a bit like a school play. You're all in funny costumes; you've had your coffee, and you say, 'Good morning'. Then you go on set and, if you've got good actors and directors, it takes on a life of its own.
I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it."
So many interviews, even ones that I consider really intelligent and good writers, will do the, like, 'Oh, you're not taking your clothes off like Miley Cyrus and all these girls' thing, which to me is just the weirdest thing to say to someone. ... Now when people are like, 'Tell me what you think of Miley!' I'll say, 'What do you think of Miley?' and they'll flounder and say, 'Well, I think she's really talented...' and I'm like, there you go.
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