A Quote by Billy West
I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.
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I always used to sit next to Mel Blanc when we'd do the shows. When you have Jack Benny on one side and Mel Blanc on the other, you're not going to go far wrong.
Oh, here comes Mel Blanc, the voice of Bugs Bunny and Jimmy Smits!
I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.
I wanted to do what Mel Blanc did, and that was cartoons.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.
There's only five real people in Hollywood. Everyone else is Mel Blanc.
Obviously as a kid, for probably anybody who chose animation voiceover as a career in their adult life, Mel Blanc was the touchstone for everybody. He kind of invented the job and was the first voice actor to get onscreen credit.
Mel Blanc has been gone for 30 years, even though he's still around.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'
Mel Blanc passed away in '89, and they held auditions, and I did my first job [as Porky Pig] in 1990.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
You set us up!” “No! I swear—” Her face fell. “Mel. Mel must’ve told him.” “Right,” I grumbled. “Blame Mel.
I did Air America for two reasons: to be in a movie with Mel Gibson and to make a bunch of money. And then underneath there was the hope that in doing this formulaic thing I would be launched into a whole new realm of opportunity to do A-list movies. By the time we were done, the only positive thing was meeting Mel Gibson.
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