A Quote by Bindi Irwin

I'm so lucky because I get to have all of these memories. I can have all of those pictures and different sorts of films and stuff. Some people have only one photo, and I'm really glad that I have all of that.
I have done 'Mumbai Meri Jaan,' 'Oye Lucky! Lucky Oye!;' they are not comedy. But those roles didn't stick with people. Comedy films run, even though some of them are bad films. So people see these more.
I wasn't even aware that there are different styles of taxidermy, traditional and rogue. I wound up really liking the rogue stuff the most, just because it is more artistic and people can go anywhere with it. That stuff I really liked. Honestly, I would have liked to buy some of those pieces.
It is really rare to find someone you really, really love and that you want to spend your life with and all that stuff that goes along with being married. I am one of those lucky people. And I think she feels that way too. So the romantic stuff is easy because you want them to be happy.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
It's really hard seeing somebody you love be in pain and be ill and there's nothing you can do. What's interesting is people act in so many different ways. You know, some people run away, some people get angry, some people fall apart. It's like everybody has a different way of dealing with stuff like that.
I want to live with all of my memories, even if they’re sad memories. I believe that if I stay strong, someday I’ll overcome the pain, and then I’ll be glad that I have those memories. I believe that there are no memories that are okay to forget.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.
I'm glad I did South films because I feel they have moulded me. They are really loud and are in a different language, so it's not easy.
I like hiding somewhere, like, say on a bus street in a doorway, and taking pictures without people knowing - which sounds really creepy....You get some of the most interesting pictures because people are walking past not realising you're there.
It's easier to keep your stuff then it is to expose it, because some people don't get it. At the cross, at the feet of Jesus, there were some people who said, "Good! I'm glad that you're dead." Then there were some that were crying and saying, "Why are you doing this to this innocent man?" It is not easy to do.
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
I like Jailhouse Rock and Love Me Tender. The black-and-white films. With music, I tend more toward the '70s stuff because I was at the shows for those, so they bring back memories.
The biggest piece of advice that I give young comedians is: If it's your goal to get where I'm at, go do something else. Because you'll never get here. Never. The odds are so bad. Because not only do you have to be a really, really strong comedian but you also have to be lucky. And most people don't get that combination.
Coming from where I came from, being a foster youth... like, living in all those different homes... I am glad I had those experiences because now, when I perform, I can come from a place of reality: I know how different people live.
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