A Quote by Binnu Dhillon

Even in comedy genre, one can treat the story differently every time. — © Binnu Dhillon
Even in comedy genre, one can treat the story differently every time.
I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.
I've been singing one kind of genre for a long time but have always tried to push to new auras about picking new songs or the same kind of genre but trying to sing it differently, treating it differently.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
Fleabag' is its own genre. It isn't comedy. It isn't drama. It isn't even tragi-comedy.
Comedy as a genre is the one that has given me maximum success, and I do broadly get associated with this genre. I thoroughly enjoy comedy, especially because it is inherent to my personality.
Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
Animation story boarding works differently than live action story boarding. The story crew along with a writer really does shape and create the film - the world and it's characters. We meet almost every day and brainstorm the plot of the film. It's a highly collaborative process - and we continue to improve the story until we literally run out of time.
Zachary Jernigan can't write a bad story. He couldn't even if he tried. Each and every time I start one of his inventive, carefully crafted, thoughtful and mind-bending tales I know I’m in for a treat. This collection is sci-fi at its intelligent best.
There are so many versions of every story because every storyteller tells the story differently.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.
Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
Every film is like my own kid; I don't treat them differently.
I see myself touring internationally - everywhere, every theater, every arena - and putting out stand-up comedy specials until I can't even stand no more. Even then, I'll probably do my comedy special in a hospital bed.
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