A Quote by Birgitte Hjort Sorensen
If you go for an audition, you have a character description, and for the women, it's always about being beautiful, sexy. And for the men it's more about the character than how he appears physically. That annoys me.
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If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
The sexy moments for me, I wasn't thinking of them as sexy. I was thinking of them as more specific to my character. So it was necessary for my character's development in the movie, so that's how I played it.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
Only in rock music and the literary world you see so many ugly white guys with beautiful women. That says a lot about the women, their character. They're attracted to more than surface.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
The Funkasaurus character was great and it taught me about being humble, about the character, about not being concerned with what people think you should be.
Reputation is seeming; character is being. Reputation is manufactured; character is grown. Reputation is your photograph; There is a vast difference between character and reputation. Reputation is what men think we are; character is what God knows us to be. Reputation is seeming; character is being. Reputation is the breath of men; character is the inbreathing of the eternal God. One may for a time have a good reputation and a bad character, or the reverse ; but not for long.
What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like.
Plain women know more about men than beautiful ones do. But beautiful women don't need to know about men. It's the men who have to know about beautiful women.
I've always been one to want to memorize everything and just be confident that I know all of the lines, but that changed. After college, I realized it's not as much about being off-book as it is about completely understanding the character and, more so, getting into the mind of your character.
Do not make Mistakes about Character. That is the worst and yet easiest error. Better be cheated in the price than in the quality of goods. In dealing with men, more than with other things, it is necessary to look within. To know men is different from knowing things. It is profound philosophy to sound the depths of feeling and distinguish traits of character. Men must be studied as deeply as books.
Cameras love pretty girls and craggy, old character men more than they can take craggy, old character women. But that's what's always happened. Work out how you can fit into it, and make that work. There are never going to be millions of parts for older actresses because there never were.
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