A Quote by Birgitte Hjort Sorensen
Right before I graduated from the national theatre school, I got the part of Roxie Hart in 'Chicago' in Copenhagen. That led to me playing it here in London. I was 26 when I came over for that. It was the first thing I did as a professional, and it is still the experience of my life.
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When I was starring as Roxie Hart in 'Chicago,' I got my stiletto heel caught in my fishnet tights and fell flat on my face. It was incredibly painful and not something you can cover up.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
The fun thing about 'Chicago' is that there's so much dance and, very specifically, Roxie. So you might see a little bit of Roxie on the Sugarland stage. Who knows.
It's easy to say why I love coming to Chicago for my signings, because I still remember the very first time I came to Chicago, right before 'Shiver' came out. I remember I was so struck by the feel of the city, how wide open it felt, even with these massive buildings all around me. The parks and green spaces are incredible.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
Modelling was not very satisfying for me. I came to London to model, and I fell in love with the theatre. I was eating yoghurt every day so that I had the money to go to the theatre. I saw everything. It's still my dream to be on stage in London.
I met Paul Kossoff for the first time when I was playing in the back of a pub room in Finsbury Park in London in 1967. It was kind of a blues thing going on, and he came up and said, 'I'd like to have a jam.' So he came up and jammed with me, and I just loved his playing right from the start.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I had the good fortune to direct my first professional production with one of my Dad's masterpieces, The Man Who Came To Dinner. What it taught me was how beautifully the Kaufman and Hart plays are constructed: with economy, and wit, and warmth, and a sensibility, and heart/Hart that appeals to every stripe of theatregoers. It was a gift that can't be underestimated.
Not part of any London combination and you have to go a long way from London really to... to throw that feeling off. So, it's right and fitting that the Beatles came from Liverpool. If they hadn't, I wouldn't have got involved. It wouldn't have interested me. And they wouldn't have hired me.
What brought me to L.A. was work! I moved to Chicago after college - I went to Kalamazoo - did my nerd thing, graduated, and moved to Chicago to pursue improv.
The first time I came to London on my own, I was 15. I was absolutely oblivious to so many things. I had no expectations, no fears. I just came to do a National Youth Theatre season one summer. It was just brilliant.
Singing, dancing, and acting! The part [of Roxie in Let It Shine] was right up my alley. Plus, the thought of playing a rock star was like a dream for me.
When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.
I grew up playing in the outfield and junior year of high school I went over to first base and got some tidbits from my dad, but it kind of came naturally to me.
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